Leonard Feather and Ira Gitler Oxford Univ. Press ISBN 0-19-507418-1
The title in combination with the author credits pretty much says it all: This is perhaps the ultimate reference on the musicians who created and continue to create jazz.
Feather, who died before this work was completed, and Gitler are rightly regarded as two of the most important and thoughtful writers on jazz. As the entries show, they didn't take their responsibility lightly when putting this book together.
They endeavored to get every fact correct (Louis Armstrong's mythological birthdate of July 4, 1900, for example, doesn't appear. Instead we get the real one, tracked down by critic Gary Giddins several years back, of Aug. 4, 1901) and to compress every important career development, composition and record date into each artist's entry.
It's not a book you'll skim, such as a record guide. The numerous abbreviations can make for frustrating reading. But, if you want to know something about an artist, chances are excellent you'll find it here.
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet. After going through Rock 'n Roll, the Beatles and Heavy Metal/Hard Rock phases over the next eight or so years, I finally bought my first jazz album; We're All Together Again for the First Time by Dave Brubeck, Paul Desmond and Gerry Mulligan. I was hooked on jazz, and still am 40+ years later.
I moved from England to the USA in 2002, and founded the Brookfield Jazz Society in 2005.
I became editor of the quarterly IAJRC Journalin 2012. The magazine goes to the worldwide membership of the IAJRC (International Association of Jazz Record Collectors) and many major libraries and educational establishments around the world.
As well as being the editor of the IAJRC Journal, I write about jazz and review CDs, vinyl, DVDs and books on jazz.
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