327

Steve Lacy: Conversations

By

Sign in to view read count
Conversations
Jason Weiss, Ed.
Softcover; 289 pages
ISBN: 0822338157
Duke University Press
2006

As a student of Art History a few years ago, I was always fascinated at the depth that books of artists' writings and interviews reached. Richard Serra, Donald Judd, Jackson Pollock, Michael Snow—no matter how obscure the artist seemed to be, the intrepid researcher could be sure to find a text full of notes, articles, interviews and treatises to help one form a new angle. But in researching improvisation and concerns of process and method as well as history, I was struck by the dearth of similar texts on jazz musicians. Editor Jason Weiss has changed the academic landscape of jazz with Steve Lacy: Conversations, the book I always wanted but never had. Weiss's text includes a huge amount of interviews never published in English, in addition to the usual suspects (Corbett, Ratliff, Derek Bailey, and the Wire). Conversations also contains rare photographs, scores, liner notes and free-association jottings to flesh out the complete package.

Lacy's knowledge of the people and personalities that made the scene has always been well-documented, and Conversations is littered with mention of items like Louis Moholo's hand-painted Bob Thompson drums, quotes from Jean Dubuffet and such a timely image as that of Aebi hurling Lao Tzu leaflets in protest at a WBAI Free Music Store audience while Lacy and Richard Tietelbaum improvised. Though his work with Cecil, Monk and his long-lived sextet are given credence, the significance of his work in Rome with Musica Elettronica Viva and a late '60s septet he had in Rome are also given their proper due. But if there is one concept I could have had access to when I was doing my own research on Lacy, it is roba—the Italian catch-all for any material, thing, or situation one may find oneself involved with. As titles like "Scraps, "Note, or "Staples allude to, the material of experience is what Lacy's music comes from, more than from Monk or Ellington—and like Monk and Ellington, he works from and with roba.


Tags

comments powered by Disqus

More Articles

Read Good Things Happen Slowly: A Life In And Out Of Jazz Book Reviews Good Things Happen Slowly: A Life In And Out Of Jazz
by Mark Corroto
Published: September 13, 2017
Read Jazzing: New York City's Unseen Scene Book Reviews Jazzing: New York City's Unseen Scene
by David A. Orthmann
Published: August 29, 2017
Read David Bowie: Behind the Curtain Book Reviews David Bowie: Behind the Curtain
by Nenad Georgievski
Published: August 20, 2017
Read The Beatles - On the Road, 1964-1966 Book Reviews The Beatles - On the Road, 1964-1966
by Nenad Georgievski
Published: August 19, 2017
Read "Stan Levey: Jazz Heavyweight" Book Reviews Stan Levey: Jazz Heavyweight
by Chuck Koton
Published: December 4, 2016
Read "David Bowie: Behind the Curtain" Book Reviews David Bowie: Behind the Curtain
by Nenad Georgievski
Published: August 20, 2017
Read "Soul Jazz: Jazz In The Black Community, 1945-1975" Book Reviews Soul Jazz: Jazz In The Black Community, 1945-1975
by James Nadal
Published: July 7, 2017
Read "Man Of The Light: The Life And Work Of Zbigniew Seifert" Book Reviews Man Of The Light: The Life And Work Of Zbigniew Seifert
by Ian Patterson
Published: December 11, 2016

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.