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Samuel Mosching
Guitarist and composer located in Chicago, working alongside Maggie Brown, Reuben Gingrich, Wanees Zarour, Subhi and Zeshan B.
About Me
Samuel Mösching is a professional guitarist, composer and bandleader who has headlined
performances internationally, including in the U.S., Switzerland, Germany, Ireland, England and
Argentina, being accompanied by illustrious artists like John Stowell, Mars Williams, Rusty Jones, Gerry
Hemingway, Maggie Brown, Vincent Davis, Jimmy Bennington, Reuben Gingrich, Jim Baker, Zeshan B &
The Transistors, Jonas Tauber, Lola Regenthal and Cormac McCarthy. The long list of venues and
festivals include the Blue Note and the Lincoln Center in NYC, Ravinia, The Chicago Jazz Festival, The
Hyde Park Jazz Festival, the Kennedy Center in Washington D.C., the Constellation, Bonnaroo Festival,
Late Night with Stephen Colbert at the Ed Sullivan Theater, and “The Morning Shift” on NPR.
As a composer, he has written hundreds of pieces mostly in jazz and modern classical context. Samuel’s
talent has been recognized by his peers all over the world.
After hearing Mösching, John Hollenbeck, who is one of the most influential composers and drummers
of our time once said : “Samuel’s time feel is as strong as a tree.”
Samuel Mösching started playing the guitar at the age of ten. His talent got recognized during his first
lessons. His teacher was able to see, past the young student’s hyperactive and unfocused energy, a
remarkable ability capable of picking up instrumental skills.
Samuel’s first compositions arose at the age of 12. To date, he has written hundreds of pieces for
different
groups and instruments. Also while he was 12, his new instrumental teacher, Anton Brüschweiler,
decided
to immediately confront his new, highly talented student with jazz harmonics, scales and ear training.
Instead of just learning the motion of the scales, the young guitarist decided to sing the material the
same
time he played it. This explains why most of the time Mösching still sings the notes he’s improvising.
Following his intuition, Samuel created his own style because he was not listening to other music
improvisers at that point. This early start and relative isolation in his jazz education turned into a boon
for
Mösching and can partially be credited for his highly evolved style that has been described as both
highly
original and modern.
At the age of 13, Samuel Mösching started to play electric bass and drums. As a listener, he was more
focussed on Punk and Reggae at this point. His interests for Jazz and classical music came up at the age
of
15. The first album he bought was more or less a random pick at the record store for him. „Crescent“ by
John Coltrane. It is still Samuels’ favorite album. After listening to hundreds of jazz albums in a couple
of
months, his favorite musicians were Eric Dolphy, John Coltrane, Brad Mehldau, Wayne Shorter and the
pianist Bill Evans.
Samuel Mösching attended the higher school in Thun at the age of 16, where he started to deal
intensely
with classical music such as J.S. Bach and more modern composers like Ludwig van Beethoven, Franz
Schubert and Claude Debussy. This inspired him to compose fugues and pieces with chamber music
instrumentations. Samuel also attended summer school at the Guildhall School of Music and Drama in
London at the age of 18.
After the higher school, he studied at the Music University of Lucerne (Hochschule Luzern Musik).
Samuel
Mösching completed a Masters of Performance and Composition in 2011. During that time Samuel
became
an active member of the jazz scene in Europe. He made connections with Irish, English and German
musicians and played shows in those countries and in Switzerland. Samuel made several CD recordings
during that time in studio and live contexts. Three albums were recorded with the band Sonic Fusion
and a
production with Samuel Mösching’s original material played by the Aido Trio was made in this period
(Punta Cana, 2012).
Mösching has traveled to Chicago several times to network with other musicians; there, he has been a
frequent guest on jam sessions and invited as special guest in concerts with important musicians like
Grammy nominee Mars Williams, former AACM-President Ed Wilkerson, jazz veteran Vincent Davis and
guitarist John Stowell.
In 2013 Samuel Mösching finally moved to the U.S. permanently. Ever since he recorded albums with
his
own Trio, drum legend Rusty Jones, Reuben Gingrich, the Shout Section Bigband and the Atticus
Lazenby
Group. The Swiss guitarist had the opportunity to perform on CBS for the Stephen Colbert Late Show
and
on Windy City Live as well as at the Blue Note and the Lincoln Center in NYC, the Kennedy Center in
Washington D.C., the Chicago Jazz Festival, the Hyde Park Jazz Fest, the Ravinia Festival, and venues
like
Room 43, the Whistler, the Logan Center, the Arts Incubator, Martyrs and the Beat Kitchen. He can be
seen
frequently with artists such as Zeshan B, Maggie Brown, Jimmy Bennington, Andrew Lawrence, Corbin
Andrick, Wanees Zazour, Jim Baker, Mars Williams, Brian Smith, Steve Hunt, Brian Sandstrom, Peter
Manheim, among others.
The album Up with the New Samuel Mösching trio was released in 2013. In 2015 Samuel Mösching
released hs first solo album Room 3 and in 2016, one year after the passing of drummer Rusty Jones,
the
album Some Other Tree got released under ears&eyes Records.
The New Samuel Mösching Trio he has been invited to perform at the local NPR station WBEZ in
Chicago.
The Group has been on tour in Europe and the U.S. several times. When in Switzerland, Samuel
Mösching
often works with the group Komplex 98 (Tobias Hunziker, Thomas Tavano) which recorded their first
album
in 2016.
Most recently the Swiss guitarist has been active as a member of the band Zeshan B & The Transistors
with
whom Samuel had local TV appearances on Windy City Live and a national appearance for the Colbert
Late
Show on CBS.
Awards
Friedl-Wald Scholarship in 2011.
Prize of the City of Thun, Switzerland in 2014
My Jazz Story
Improvisation is Love for the moment