Italian writer, educator and general provocateur...
I was born in Pisa, Italy, in 1954 and began organizing event in 1975
(Frank Lowe - Don Cherry Quartet). From 1976 to 1982 co-organized the
Pisa International Jazz Festival where Evan Parker's Improvisors
Symposium was recorded and Anthony Braxton's Composition for two
pianos was premiered. Translated then Derek Bailey's book about
improvisation and Leo Smith's Notes About Music. Organized concerts
and festival during the 80s and 90s (Steve Lacy, Sonny Rollins, AMM,
Company, La Nuova Onda New Italian Jazz Festival) from 1997 to 2006
the Italian Instabile Orchestra Festival in Pisa. Director of the
Archive at Siena Jazz. Wrote also on: Musica Jazz, Avant, Improjazz,
The Wire, Signal To Noise, Point of Departure as well as liner notes
for Splasc(h), Leo, FMP, Cuneiform, Emanem, Chronoscope among others.
Discographies published: Evan Parker, Anthony Braxton, Mario Schiano,
Translator of the Italian edition of "The Making of Kind of Blue";
started a series of translations for Siena Jazz/EDT that so far
includes John Szwed's Jazz 101, Carl Woideck's Charlie Parker, Andy
Hamilton's conversations with Lee Konitz, Michael Dregni's Django,
Coltrane on Coltrane curated by Chris De Vito and Ted Gioia's History
of jazz. Pisan publisher ETS published my revised translation of the
second edition of Improvisation by Derek Bailey in 2010, 30 years
after the first translation. In 2013 ETS published the Italian
translation of P.N. WIlson book about Albert Ayler, "Lo spirito e la
Teaching and speaking experience: guest lecturer for New York
University, Wesleyan University and William Paterson College; faculty
member of Istanbul's Bilgi University 2004/2008, guest lecturer at
Istanbul Conservatory at ITU, keynore speeches for congresses and
European Jazz Network meetings.
Currently teaching History of Jazz at the Siena Jazz Foundation music courses, at Siena Jazz University as well as at the Mascagni Musical
Institute in Livorno.
Music interests: contemporary avant garde, ethnic music of the
Mediterranean and Near East, Jewish music, Oriental music.
Music disinterests: anything with a backbeat.
My Jazz Story
I love jazz because it means freedom
I was first exposed to jazz when Louis Armstrong sang at Sanremo
I met Sun Ra
The best show I ever attended was Mongo Santamaria
The first jazz record I bought was Lil Hardin Armstrong on Decca
My advice to new listeners: keep open ears