Extended Analysis

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

EXTENDED ANALYSIS

Trout Mask Replica

Read "Trout Mask Replica" reviewed by Eric Gudas

“No Instruction Sheet": Trout Mask Replica's Unfathomable Origin Story If you were a teenager who liked freaky stuff, on a June day in 1969 you could bicycle down to your local record store and buy a brand-new, shrink-wrapped album with a man covering his entire face with an actual fish head on the cover. A double-LP set, it cost your whole month's paper route money, but there was something about the guys on the back-cover photo, who looked like refugees ...

EXTENDED ANALYSIS

Live in Schauburg, Bremen, Germany, 1983

Read "Live in Schauburg, Bremen, Germany, 1983" reviewed by Jakob Baekgaard

The history of jazz is not only a story of great individuals, but also a narrative of partnerships that have shaped the development of the music. Just think of Charlie Parker and Dizzy Gillespie, Louis Armstrong and Earl Hines and Al Cohn and Zoot Sims. There's also a proud tradition of combining saxophone and piano with beautiful results. Art Pepper lifted his playing in the company of George Cables and Kenny Barron elevated the late style of Stan Getz.

EXTENDED ANALYSIS

Four Forty One

Read "Four Forty One" reviewed by Friedrich Kunzmann

2020 marks the beginning of Will Vinson's third decade of working and living in New York. Over the years the British-American saxophonist has gained wide recognition as a sideman as well as a leader, with six albums to his name in the bank. Beyond recording highly acclaimed albums for late Gerry Teekens' Criss Cross label, Vinson has appeared with the likes of Kurt Rosenwinkel, Chris Potter or Kurt Elling, to name a few. The 2012 formation “Owl Trio" featuring bassist ...

EXTENDED ANALYSIS

The Later Years: 1987-2019

Read "The Later Years: 1987-2019" reviewed by John Kelman

On January 10, 1994, Pink Floyd announced its upcoming North American tour in support of what would be its second studio album following the 1984 departure of bassist and band co-founder Roger Waters, The Division Bell (Columbia/EMI), a little more than two months before its release on March 28 of the same year. The first of two 196 foot-long, 67-foot high, 7,000 pound (without the helium) painted airships made a record-breaking, three-week trip from North Carolina to Los Angeles, with ...

EXTENDED ANALYSIS

Unburied Treasure

Read "Unburied Treasure" reviewed by John Kelman

Of all the so-called progressive rock bands that emerged in the late '60s/early '70s, Gentle Giant has, perhaps, been the most misunderstood, and the one which failed to reach the same deserved commercial heights of its creatively innovative brethren, like King Crimson, Yes, Genesis and Pink Floyd. Of the bigger names from that time, only Van der Graaf Generator could be considered in the same breath when it comes to missed commercial success opportunities, and even that group has fared ...

EXTENDED ANALYSIS

The Octave Remastered Series: Part 2: A Night At The Movies

Read "The Octave Remastered Series: Part 2: A Night At The Movies" reviewed by Peter J. Hoetjes

Part 1 | Part 2 Most people's appreciation for Erroll Garner begins and ends with Concert By The Sea (Columbia, 1955), the pianist's career-defining performance for an audience of U.S. Infantrymen at the Sunset School in Carmel, California --coincidentally, just ten minutes away from the filming location of Play Misty For Me, Clint Eastwood's jazz-tinged thriller featuring “Misty," Garner's most famous composition. The sound of Garner's piano is arguably the most distinctive one in the instrument's history. While ...

EXTENDED ANALYSIS

Promise Kept: The Complete Artists House Recordings

Read "Promise Kept: The Complete Artists House Recordings" reviewed by Peter J. Hoetjes

A Man and His Word Art Pepper's career as an alto saxophonist is often said to exist in two eras, separated by incarceration and marriage, joined together by a penchant for substance abuse. In 1952, Pepper was a young jazzman on the rise in a world where John Coltrane and Miles Davis had yet to become household names. This era, which gained substantial steam with the release of The Art Pepper Quartet (Tampa, 1956), was one where he laid the ...


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Sergio Pereira

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