All About Jazz

Home » Articles | Reviews Only

Jazz Journal

Jazz Journal is a regular column consisting of pithy takes on recent jazz releases of note as well as spotlights on those titles in the genre that might otherwise go unnoticed under the cultural radar.

JAZZ JOURNAL

Spring 2018

Read "Spring 2018" reviewed by

Jazz Journal is a regular column consisting of pithy takes on recent jazz releases of note as well as spotlights on those titles in the genre that might otherwise go unnoticed under the cultural radar. Charles Mingus Live at Montreux 1975 Eagle Records 2018 Right from the opening notes of Charlies Mingus' jaunty insistent bass, Live at Montreaux 1975 captures the idiosyncratic jazz icon's personality to a T. Challenging charts for the ...

JAZZ JOURNAL

Winter 2018

Read "Winter 2018" reviewed by

Jazz Journal is a regular column consisting of pithy takes on recent jazz releases of note as well as spotlights on those titles in the genre that might otherwise go unnoticed under the cultural radar. Mark Wade Trio Moving Day Self-Produced 2018 Often ghostly in its ambiance, the music on Moving Day is always flawless in its execution. The Mark Wade Trio are seemingly further inspired with each successive moment in which ...

JAZZ JOURNAL

Winter 2017

Read "Winter 2017" reviewed by

Jazz Journal is a regular column consisting of pithy takes on recent jazz releases of note as well as spotlights on those titles in the genre that might otherwise go unnoticed under the cultural radar. Denny Zeitlin & George Marsh Expedition: Duo Electro-Acoustic Improvisations Sunnyside2017 Because the multiplicity of drums and percussion instruments George Marsh uses on Expedition is comparable to the comparable array of acoustic and electric keyboards Denny Zeitlin utilizes, ...

JAZZ JOURNAL

Autumn 2017

Read "Autumn 2017" reviewed by

Jazz Journal is a regular column consisting of pithy takes on recent jazz releases of note as well as spotlights on those titles in the genre that might otherwise go unnoticed under the cultural radar. Jim Yanda Trio Regional Cookin' Corner Store Jazz2017 There's an uncanny similarity between the guitar tone of Jim Yanda on his latest releases and that which the late Larry Coryell employed on his groundbreaking jazz rock ...

JAZZ JOURNAL

January 2007

Read "January 2007" reviewed by

Sonny Rollins Sonny Please Doxy 2006

It often happens that, as an artist initiates his own record label, the business move is symbolic of an artistic rebirth. Sonny Rollins' Doxy debut is just such an album: the stalwart jazz icon plays his burly burnished saxophone with radiant authority while Clifford Anderson's trumpet fully complements the elder's bittersweet tone. Bobby Broom's guitar supplies a fluid touch, while you can always feel the rhythm ...

JAZZ JOURNAL

November 2006

Read "November 2006" reviewed by

Pat Metheny/Brad Mehldau Metheny Mehldau Nonesuch 2006

A true synergy of exceptional musicians, Metheny Mehldau scores by demonstrating how guitarist Pat Metheny and pianist Brad Mehldau complement each other. In much the same way as the disc's cover art depicts dark colors flowing into lighter ones, the brooding hues of Mehldau's piano darken the grainy pastels of Metheny's guitar. The original compositions that comprise the disc sound like detailed paintings, the formal ...

JAZZ JOURNAL

August 2006

Read "August 2006" reviewed by

Bobby Previte The Coalition Of The Willing Ropeadope 2006

The jazz Renaissance man's latest project is a far cry from the more esoteric and inclusive concepts with which he's often involved. The straightforwrad simplicity that powers this high-powered instrumental rock compresses and concentrates the energy of the musicians. Each of them plays his role to the hilt. Not least, Previte's erstwhile partner Charlie Hunter, who plays electric guitar as often as bass, and whose ...

JAZZ JOURNAL

May 2006

Read "May 2006" reviewed by

Gonzalo Rubalcaba Solo Blue Note 2006

The brilliant young Cuban pianist Gonzalo Rubalcaba has followed his muse in many directions, and played in a variety of formats, during his career, and he's always especially successful in a context grounded in simplicity. Little surprise then that his new solo album ranks with his acoustic quartet work as the most articulate and deeply felt music he's yet recorded. Switching between pre-composed material and free ...

JAZZ JOURNAL

December 2005

Read "December 2005" reviewed by

Dexter Gordon Manhattan Symphonie Legacy 2005 (1978)

Perhaps the most ambitious of Gordon's work for Columbia(this edition including two tracks not released as part of the original lp) completed upon his return from Europe, this session was recorded with the same band that accompanied Dexter in person. Little wonder the musicianship is so rich it conjures an atmosphere that balances that of late-night club mood and an uptown classy elegance--not coincidentally, an apt description ...

JAZZ JOURNAL

August 2005

Read "August 2005" reviewed by

McCoy Tyner Counterpoints: Live in Tokyo Milestone 2004

Recorded in Japan in 1978 at the Live Under the Sky Festival, this title could quite conceivably go directly into the must-hear category of the great pianist's discography just by dint of his collaborators: bassist Ron Carter and the late Tony Williams on drums. But this previously unreleased set includes two solo piano pieces by Tyner in addition to some startlingly fluid interplay by ...