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If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

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Interviews

INTERVIEWS

Dexter Payne: All Things, All Beings

Read "Dexter Payne: All Things, All Beings" reviewed by Chris M. Slawecki

Clarinet, harmonica and saxophonist, composer and bandleader and musical globetrotter Dexter Payne is the type of musician who is most often categorized as “difficult to categorize." Profoundly influenced by physical and spiritual journeys through the cultures of America, the Middle East, Africa and Brazil, Payne's recorded output checks off every box from Mississippi delta blues to Brazilian choro to Hindu chant. “From a young age, I have been drawn to music that speaks real culture, beginning with the rich musical ...

INTERVIEWS

Moers Festival Interviews: Anguish

Read "Moers Festival Interviews: Anguish" reviewed by Martin Longley

Anguish are born to be in Moers. This supergroup of the underbelly bleeds together from varying times, diverse sonic areas and different lands. Alternative New Jersey hip- hop roams into the realms of vintage Krautrock, causing distress during an inbreeding feast with the masters of free-Viking jazz. Two pairs of players apiece from Dälek and Fire! meet a founding Faust-father. Then they record for one of the finest jazz-adventuring labels, RareNoise, run by Italians in jny: London. Anguish ...

INTERVIEWS

Thundercat: On Kendrick Lamar, Kamasi Washington, Erykah Badu and the great LA jazz renaissance

Read "Thundercat: On Kendrick Lamar, Kamasi Washington, Erykah Badu and the great LA jazz renaissance" reviewed by Rob Garratt

When, a few years back, the mainstream media began breathlessly anointing the arrival of a West Coast-born jazz “renaissance," Thundercat's name was invariably invoked second in the evidence list— behind, of course, that of his childhood buddy Kamasi Washington. While Washington's career has gone stratospheric—with a summer co-headline tour alongside Herbie Hancock the latest summit mounted—Thundercat has proved no slouch, picking up widespread praise for 2017's Drunk, an idiosyncratic third outing which squeezed squelching lounge-funk grooves, electro-pop hooks, gymnastic falsetto ...

INTERVIEWS

Catherine Farhi: Finding Home in the New Morning

Read "Catherine Farhi: Finding Home in the New Morning" reviewed by Alexander Durie

What do an iconic Paris jazz club, the Arabic language and the Egyptian Surrealist movement have in common? The answer sat in a Montmartre flat in the heights of Paris, surrounded by plants and books and wearing a long royal blue spring dress. Catherine Farhi is all these things at once, and more. As her passions are as eclectic as her background, the task to open up about her identity and lifework was as complicated as ...

INTERVIEWS

Denny Zeitlin: Balancing Act

Read "Denny Zeitlin:  Balancing Act" reviewed by Ken Dryden

Denny Zeitlin is a true Renaissance man with many interests, in addition to balancing his careers in medicine and music. Although his medical practice and teaching have limited his abilities to tour beyond brief trips east or playing near his home in California, he has recorded regularly in recent years, releasing a variety of projects for Sunnyside. Well known for his composition “Quiet Now," which was recorded numerous times by Bill Evans, Denny remains a dedicated composer in his quest ...

INTERVIEWS

Carlo Mombelli: Angels and Demons

Read "Carlo Mombelli: Angels and Demons" reviewed by Seton Hawkins

One of music's criminally underrated geniuses, South African electric bassist and composer Carlo Mombelli has carved out a most extraordinary performing and writing career in music. Throughout his four decades as a performer, Mombelli has forged one of the most distinctive electric bass approaches in Jazz, established himself as South Africa's most exceptional composer, and has nurtured and developed an inspiring creative improvising and composing scene in Johannesburg. With last year's release of his latest album Angels and ...

INTERVIEWS

Anoushka Shankar: Music Makes the World a Better Place

Read "Anoushka Shankar: Music Makes the World a Better Place" reviewed by Nenad Georgievski

Esoteric, eclectic and prolific, the Indian sitarist and composer Anoushka Shankar has mapped out an intriguing artistic path by delivering intriguing music that has veered between the modern and the traditional. Her ambitious, progressive and multicultural musical world view has been growing exponentially from a record to record and has taken her on a path of creating music without borders. For the past 20 years, she has been crossing border after border and culture with culture, and most of the ...

INTERVIEWS

Dorothy & George Jacob: Putting Bray On The Jazz Map

Read "Dorothy & George Jacob: Putting Bray On The Jazz Map" reviewed by Ian Patterson

Twenty years is old for a car and really old for a dog, but in jazz festival terms twenty years is perhaps not so long in the tooth. For a jazz festival twenty years means established, with the major storms of the early years weathered, a brand that people recognize and a heap of good will from the local community. Bray Jazz Festival (view 2019 events), having come through a few tempestuous patches and made a good many ...

INTERVIEWS

Harold Danko: His Own Sound, His Own Time

Read "Harold Danko: His Own Sound, His Own Time" reviewed by Jakob Baekgaard

The famous sculptor, Henry Moore, hit the nail on the head when he said: “there's no retirement for an artist, it's your way of living so there's no end to it." This statement certainly rings true in the case of pianist and composer, Harold Danko. Even though he has retired from a long and distinguished career as a music teacher and now holds Professor Emeritus status at the Eastman School of Music in Rochester, NY, the school where he chaired ...

INTERVIEWS

Nenette Evans: My Life With Bill

Read "Nenette Evans: My Life With Bill" reviewed by Bruce Guthrie

Originally from Southern California, Nenette Evans met and married Bill Evans in 1973. Ms. Evans now handles the legendary pianist and composer's estate along with attorney Steven Lowy and others. She is also involved with the Bill Evans Piano Academy in jny: Paris, France. I met Nenette through her friend Carol Baker and our work with the Chet Baker estate. In this interview, Nenette discusses how she met Bill Evans and her introduction to his music.

INTERVIEWS

Aaron Rimbui: Nairobi to New York City

Read "Aaron Rimbui: Nairobi to New York City" reviewed by Seton Hawkins

Kenya is noted for an extraordinary array of musical offerings yet its jazz scene has historically been quite slim. However, Nairobi-born pianist Aaron Rimbui may change that dynamic. Drawing on the musical traditions of Kenya and East Africa, Rimbui has established a singular and absolutely arresting approach to jazz piano. With several solo records under his belt and a recent move to New York City, Rimbui seems poised to emerge as one of the leading figures ...

INTERVIEWS

Matt Davis: Big Family, Big Picture

Read "Matt Davis: Big Family, Big Picture" reviewed by Dan Bilawsky

If there's a defining trait to be found in the value system guiding guitarist Matt Davis and his music, it's most definitely a healthy respect and admiration for kith and kin. A love of community and belonging drives nearly every aspect of this artist's life, including his flagship ensemble, Matt Davis' Aerial Photograph, and it speaks ever so clearly on the aptly named Big Family (Self Produced, 2019). This long-awaited album, visiting music from the past while highlighting tight bonds ...


Giant Steps EP 2

Episode 2 No Respect. Kim is confronted with discrimination in jazz education while working at the Jazz Elders Foundation. Bid Daddy reams Manny for booking two singers at the same time and Mickey gets no respect in the movie business. Cast Mickey Bass, Dr. Jeff Gardere, Gregory Charles Royal, Mark 'Icewater' Gross, Paul Tafoya as 'Manny', Kimberly Singh, Zari Veres Royal and Marist Veres Royal -with James Zollar -trumpet, Bobby Lavell,- tenor sax Anthony Wonsey- piano, Mark Johnson - drums and Billy Johnson - bass.