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Articles | Featured | Future

CD/LP/TRACK REVIEW

Samuel Hällkvist: Variety of Rhythm

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Somewhere Miles Davis and Teo Macero are smiling. Swedish guitarist Samuel Hällkvist has taken their approach and refined it for the 21st century. What Macero began, with a razor blade and hours of fragmented and seemingly disjointed studio sessions, turned into the infamous Bitches Brew (Columbia, 1970). Hällkvist journeys a similar path, and most significantly here, he travels that path with a unified vision. For Variety Of Rhythm, a follow up to his BoogiePost recordings Variety Of Live ...

CD/LP/TRACK REVIEW

Paulo Chagas/Samuel Hällkvist/Stephan Sieben: Days Are Not Days

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When an improvised recording presents itself as a meteor, some foreign object from another civilization, like Days Are Not Days does, we should rejoice that it has entered our atmosphere and like a bolide, exploded upon contact. Okay, this recording by Portuguese saxophonist and flutist Paulo Chagas, and guitarists Samuel Hällkvist, from Sweden, and Stephan Sieben, from Denmark, isn't a bomb. It is, though, an improvised explosive device, pieced together from chamber music debris, ambient dregs, noisy scraps, ...

MULTIPLE REVIEWS

The Nordic Fusion of BoogiePost Recordings

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Swedish, Copenhagen-based guitarist Samuel Hällkvist and Swedish, Gothenburg-based guitarist Thomas Gunillasson suggest two different perspectives on the legacy of fusion on their new recordings, one reaches for infinite, futuristic sounds and the other is rooted in fusion technical legacy. Samuel Hällkvist Variety of Live BoogiePost Recordings 2015 When Hällkvist took his dream team, the Variety of Loud ensemble--King Crimson's drummer Pat Mastelotto (here on traps and buttons), Pink Floyd's sideman-bassist Guy ...

CD/LP/TRACK REVIEW

Samuel Hallkvist: Return to Center

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Return to Center is a detailed staging of a sonic meeting between man and machine. Swedish, Denmark-based guitarist Samuel Hällkvist, on his third solo album, contrast the digital exactness of MIDI programming with the human qualities and modes of expression that we traditionally associate with acoustic instruments. Thus Hällkvist and like-minded associates orchestrate a nuanced texture that bridges the natural timbre of acoustic instruments and inventive sonic manipulations and treatments that push the sonic envelope to new frontiers.

CD/LP/TRACK REVIEW

Samuel Hallkvist: Variety of Loud

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Copenhagen-based Sweish guitarist Samuel Hällkvist, winner of the prestigious 2010 Jazz In Sweden award, demonstrated his eclectic tastes on his 2010 debut as a leader, Samuel Hällkvist Center (Caprice), albeit still rooted in the jazz legacy. On Variety of Loud he even goes further, blurring genre boundaries between improvised jazz and his primary love for the turbulent energies of John Zorn, progressive rock, metal and electronic, while impressively juggling muscular, punchy delivery and sophisticated improvisations. Hällkvist calls his new hybrid ...