All About Jazz

Home » Articles | Reviews Only

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

Articles | Featured | Future

CD/LP/TRACK REVIEW

Charlie Ballantine: Life is Brief: The Music of Bob Dylan

Read "Life is Brief: The Music of Bob Dylan" reviewed by

Indianapolis-based guitarist/composer Charlie Ballantine has included a wide range of covers on his previous albums. Providence (Self Produced, 2016) included Leonard Cohen's modern anthem “Hallelujah" and Tom Waits' “Temptation." Where Is My Mind? (Self Produced, 2017) had the title tune from the Pixies and Sun Kil Moon's “Carissa," plus the traditional “Wayfaring Stranger." But the bulk of both programs was Ballantine's originals, so an entire album of covers (by a single songwriter) represents a significant departure.From the opening ...

CD/LP/TRACK REVIEW

Charlie Ballantine: Where Is My Mind?

Read "Where Is My Mind?" reviewed by

Indianapolis-based guitarist/composer Charlie Ballantine continues on the eclectic path forged on Providence (Self Produced, 2016) on Where Is My Mind?, his third self-produced outing as a leader. Ballantine is again joined by alto saxophonist/flutist Amanda Gardier, with a new rhythm section of bassist Jessie Whittman and drummer Jay Tibbitts. In the absence of a keyboard there is even more emphasis on the guitar. It's all twangy Americana on openers “Real Things" and “Jones"--Gardier doesn't join in until the last part ...