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Michael Dease: Never More Here

Read "Never More Here" reviewed by Dan McClenaghan

Trombonist Michael Dease released Bonafide (Posi-Tone Records) in 2018. The disc was a testament to some of his influences—pianist Geri Allen, trumpeter Marcus Belgrave, trombonist J.J. Johnson. For his 2019 testament, Never No More Here, he tips his hat to saxophonist Charlie Parker. But he doesn't cover “Confirmation" “or “An Oscar For Treadwell" or “Segment," familiar Parker tunes; nor does he offer up ”Loverman" or ”Star Eyes," familiar Parker vehicles. Instead Never No More Here“ reflects on the artists that ...

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Jo Berger Myhre & Ólafur Björn Ólafsson: Lanzarote

Read "Lanzarote" reviewed by Gareth Thompson

A testament to water and fire, Lanzarote is the fourth largest island in the Canary archipelago. In the 1960s, tourism was encouraged there at all costs, elements of which survive in Brit-pubs and karaoke bars on the waterfront at Puerto del Carmen. But the island's moon-like terrain has more recently lured visitors seeking yoga and yurts, hammocks and health foods. They say it makes a great place to reflect on the world's natural wonders. Norwegian bassist/pianist Jo Berger ...

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Marbin: Strong Thing

Read "Strong Thing" reviewed by Geannine Reid

Marbin consists of saxophonist Danny Markovitch, drummer Everette Benton Jr, guitarist Dani Rabin, and bassist Jon Nadel. Marbin has previously released seven albums: Marbin (Self-released, 2009), Breaking the Cycle (MoonJune, 2011), Last Chapter of Dreaming ( MoonJune, 2013), The Third Set (MoonJune, 2014), Aggressive Hippies (Marbin Music, 2015), Goatman and the House of the Dead (Marbin Music, 2016), and Israeli Jazz (Marbin Music, 2018). Their eighth album, Strong Thing, contains ten originals based in the jazz-rock fusion style.

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GoGo Penguin: Ocean in a Drop

Read "Ocean in a Drop" reviewed by Geno Thackara

Where William Blake saw the world in a grain of sand, and Rumi wrote that each person is not a drop in an ocean but rather the opposite, GoGo Penguin's ever-expanding sonic world hints at similar multitudes yet to be experienced. It rarely sounds like “just" piano, bass and drums in these hands, and the scope of Ocean in a Drop doesn't feel limited by the brevity of its EP length. They hit the ground running and pack an expansive ...

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Kiki Valera: Vivencias En Clave Cubana

Read "Vivencias En Clave Cubana" reviewed by Paul Rauch

Son Cubano is a genre of music and dance originating from the hill country of eastern Cuba during the 19th century. Its origins are a blend of African and Spanish influences. Son vocal style and meter are of Spanish tradition, while its identifiable clave rhythm, call and response, and percussive elements are of Bantu origin. Over the past century, the form has evolved, spreading its influence as the music was performed internationally by touring musicians. It manifested itself ...

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Paula Harris: Speakeasy

Read "Speakeasy" reviewed by Walter Atkins

At first blush, SF Bay Area vocalist, music writer and band leader Paula Harris' new Speakeasy CD is a generous 16 song set (12 tracks + four bonus cuts). The album bustles with bluesy and jazz-flavored songs about bad boys and the women who find them irresistible. However, there is a lot more going on here than simply good girls going bad. Taken collectively, Harris' Speakeasy weaves a realistic episodic story of women actively making choices and accepting ...

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Robbie Robertson: Sinematic

Read "Sinematic" reviewed by Doug Collette

Robbie Robertson's ongoing fascination with the dark(er) side of human nature, combined with his longstanding fascination with film, begs the question of why it took so long for him to fuse the two interests in a solo album. There are more than a few memorable moments scattered throughout approximately sixty minutes of music on Sinematic and to posit those in the vernacular of film criticism, the record might well receive high marks for special effects, kudos for some bit players ...

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Squeeze Live at the Tabernacle

Read "Squeeze Live at the Tabernacle" reviewed by Dave Dorkin

Squeeze The Tabernacle Atlanta September 22, 2019 Squeeze emerged in the late-70s new wave rock scene but were always so much more than that implied. The band has long combined songwriting mastery which was comparable to that of the Beatles with a seamless amalgam of soul, blues, rock and even some jazzier flourishes (particularly in recent years). Unlike most of their peers, Squeeze never stopped evolving and manage the rare trick of updating ...

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The Avett Brothers with special guest Lake Street Dive at The Barclays Center

Read "The Avett Brothers with special guest Lake Street Dive at The Barclays Center" reviewed by Mike Perciaccante

The Avett Brothers with special guest Lake Street Dive The Barclays Center Brooklyn, NY October 5, 2019 The Avett Brothers' music is best described as a gumbo of Americana featuring a mélange of folk, pop, country and bluegrass with elements of rock and blues and a touch of jazz. Hailing from Mount Pleasant, NC, the Avett Brothers have been nominated for three Academy Awards and eight Americana Music Honors & Awards trophies. It has won ...

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Tribe: Hometown: Detroit Sessions 1990 - 2014

Read "Hometown: Detroit Sessions 1990 - 2014" reviewed by Chris May

Hot on the heels of jny: Detroit trombonist and co-founder of the Tribe Phil Ranelin's Phil Ranelin Collected 2003—2019 (Wide Hive, 2019), comes another funked up spiritual-jazz beauty from the collective. The music on both albums is about as good as jazz ever gets and, given the social divisions being encouraged by reactionary politicians on both sides of the Atlantic in 2019, both releases are particularly timely. The Tribe was founded by Ranelin and tenor saxophonist and clarinetist ...

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Kelley Suttenfield: When We Were Young: Kelley Suttenfield Sings Neil Young

Read "When We Were Young: Kelley Suttenfield Sings Neil Young" reviewed by Troy Dostert

Although most jazz vocalists would shy away from an album's worth of rock tunes penned by Neil Young, Kelley Suttenfield tackles the task with aplomb on When We Were Young, providing skillful renditions of eleven cuts ranging from the well-known to a couple of the most obscure of Young's compositions. Suttenfield's low-key, insouciant delivery is a pleasant listen, and with a fine band in support and some smart arrangements, she generally succeeds in bringing her jazz-inflected style to Young's not-so-jazzy ...

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Mercury Rev: All is Dream

Read "All is Dream" reviewed by Jakob Baekgaard

"A year is just a drop in time." This is what singer Jonathan Donahue sang on “A Drop in Time," a song from Mercury Rev's celebrated album All Is Dream. It has now been eighteen drops or years since the band released the album in 2001 and now it's time for a reissue. Cherry Red Records has certainly done it with style. This edition contains the album and three additional CDs of extra material, including B-Sides, sessions, ...


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