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St. Paul

Born Paul Petersen in Minneapolis, MN, the artist later known as St. Paul was encouraged by his mother, who was an accomplished pianist. At 17, Petersen became one of a number of artists to come under the tutelage of Prince, joining the act the Time as keyboardist. In addition to appearing in the film Purple Rain as a member of that act, he also played keyboards on 1984's Ice Cream Castle. The group disbanded not long after that platinum-selling record, but Petersen was tapped by Prince to be a member of a new group, the Family, and changed his stage name to St. Paul. Signed to Prince's fledgling Paisley Park imprint, the act also included ex-Time mates Jellybean Johnson on drums and Jerome Benton on percussion. With lead singer Susannah Melvoin (sister of the Revolution's Wendy Melvoin) and Eric Leeds adding saxophone, the Family issued a self-titled debut in 1985, earning more than a smattering of critical accolades. The Family spawned two R&B hits with "High Fashion" and "The Screams of Passion," the latter going Top Ten and also making a dent in the pop charts. The group also performed the Prince-penned "Nothing Compares 2 U," which would later be popularized by Sinéad O'Connor. The Family was a short-lived entity, though, and the following year, after the Family's split, St. Paul released his solo debut. Like the Family, St. Paul's critical appeal outstripped commercial success, although "Rich Man" did become an R&B hit. His second solo outing, 1990's Down to the Wire, yielded another hit, "Stranger to Love," which managed to crossover onto the pop charts and reaching number 52. Blue Cadillac arrived in 1996 to less success, as well as a stint with the Minneapolis Allstars on 1998's Live at the Quest. St. Paul also charted out a path as an in-demand session player, contributing to albums by Jonny Lang, the Spice Girls, and Anita Baker (to name but a few). In the late '90s, he added two years of playing bass on the Donny & Marie Show to his resumé and penned material for artists including BBMak and Youngstown. In 2001, he joined Donny Osmond for the singer's first solo tour in more than a decade as musical director, working with legendary producer Phil Ramone. With a list of credits that is impressive to say the least, Petersen has proven to have more longevity and success than most of the acts in Prince's stable during the mid-'80s.

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Video / DVD

Perfection: Paul Smith - Under My Skin (1957)

Perfection: Paul Smith - Under My Skin (1957)

Source: JazzWax by Marc Myers

Last weekend, I posted a video clip that included pianist Paul Smith accompanying Frank Sinatra. Smith belonged to a small group of superb West Coast jazz studio pianists that included Lou Levy, Jimmy Rowles and Pete Jolly. In the late 1950s, Smith recorded four albums for Capitol that became known as the Liquid Sound sessions. One of them was Delicate Jazz, recorded in November 1957. For this week's Perfection clip, I've chosen I've Got You Under My Skin. I'm not ...

3
Festival

PJ Morton, Will Downing, Paul Jackson Jr, Jeff Lorber, Everette Harp, Tito Puente Jr, Maysa & More At The 6th Annual Dymally Jazz Festival

PJ Morton, Will Downing, Paul Jackson Jr, Jeff Lorber, Everette Harp, Tito Puente Jr, Maysa & More At The 6th Annual Dymally Jazz Festival

Source: Daryl Sweeney

The 6th Annual Dymally International Jazz & Arts Festival is being held at Dignity Health Sports Park on the campus of California State University Dominguez Hills on April 26th, 2025 with two stages, a visual arts pavillion and specialty retail and food vendors. The event is set to please jazz lovers from around the globe. The festival is co-produced by Rainbow Promotions, producers of the Long Beach and San Diego Jazz Festivals. This year's festival lineup will include Grammy Winner ...

Video / DVD

Paul Desmond and the Modern Jazz Quartet

Paul Desmond and the Modern Jazz Quartet

Source: JazzWax by Marc Myers

Paul Desmond and the Modern Jazz Quartet appeared together on stage only once, on the evening of Christmas Day in 1971. What's remarkable is that the concert was taped and the second half released on vinyl in 1981. The combined sound together was heavenly. Michael O'Daniel turned me on to the album, since I wasn't aware of it previously. He also sent along more information about the concert, since he was the one who presented it. At the end of ...

4
Recording

From The Heinous To The Sublime, Paul Adams And Elizabeth Geyer Release The Album 'A Journey Of Dreams'

From The Heinous To The Sublime, Paul Adams And Elizabeth Geyer Release The Album 'A Journey Of Dreams'

Source: Glass Onyon PR - Keith James

Living thousands of miles apart, United States based, award-winning multi-instrumentalist, Paul Adams, and Australia based, award-winning pianist, flugelhorn instrumentalist and vocalist, Elizabeth Geyer, have been creating music together from opposite ends of the globe since their debut collaboration, Imaginings. Across the oceans and continents, something definitely worked synergistically and continues to work. Their album won the award, “Contemporary Instrumental Album of the Year” at the Zone Music Reporter Awards in 2015. Following, “Imaginings,” came “Deeper Imaginings” and “Sanctuary,” the New ...

1
Recording

Perfection: Paul Desmond, Any Other Time (1964)

Perfection: Paul Desmond, Any Other Time (1964)

Source: JazzWax by Marc Myers

Alto saxophonist Paul Desmond recorded six albums for RCA backed by guitarist Jim Hall between 1962 and 1965. One of the finest was Glad to Be Unhappy, recorded between July 1964 and early September. And on that album, the most exquisite track was Desmond's own composition “Any Other Time," recorded on August 20, 1964, with Eugene Wright on bass and Connie Kay on drums.  On this minimalist Thursday, the only track I want to play for you is the resplendent ...

15
Recording

Flutist Bill McBirnie Releases 'Reflections (for Paul Horn)'

Flutist Bill McBirnie Releases 'Reflections (for Paul Horn)'

Source: Bill McBirnie - Extreme Flute

In his most recent digital release, Reflections, flutist Bill McBirnie performs a series of entirely improvised solo vignettes on both flute and alto flute in what is a beautiful and heartfelt tribute to the strongest of his influences on the instrument, Paul Horn. Bill is arguably the ideal candidate for such a tribute, not only because of his longstanding allegiance to Paul Horn, but also because of Bill's unique musical sensibility and impeccable technique, both of which have enabled him ...

1
Music Industry

Paul Albrecht: A Drumming Maverick's Journey From Stuttgart To The Beat Of The World

Paul Albrecht: A Drumming Maverick's Journey From Stuttgart To The Beat Of The World

Source: All About Jazz

In the ever-evolving landscape of jazz, there emerges a rhythmic alchemist whose beats echo through the corridors of innovation. At just 28, German jazz fusion drummer and music director Paul Albrecht has become a phenomenon, seamlessly blending traditional jazz finesse with the contemporary cadence of hip-hop. But his story is more than just notes and rhythms; it's a tale of passion, accolades, and a relentless pursuit of pushing the boundaries. Germany’s Jazz Prodigy: Awards and Acclaim Picture a teenage Paul ...

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Performance / Tour

The Jazz At The Mural Concert Series Features The Eric Byrd Trio, Paul Carr, Sol Roots, And Alison Crockett on January 27, 2024

The Jazz At The Mural Concert Series Features The Eric Byrd Trio, Paul Carr, Sol Roots, And Alison Crockett on January 27, 2024

Source: 9th Floor Music

The “Jazz at the Mural" 2024 concert series includes The Eric Byrd Trio, Paul Carr, Sol Roots, Alison Crockett, and more. On Saturday January 27, The Harriet Tubman Museum and Dorchester Center for the Arts kick off the “Jazz at the Mural" concert series, with the world traveled funk/soul guitarist Sol Roots. This live music series takes place at Harriet Tubman Museum and Educational Center, and at the Dorchester Center for the Arts, both located in Cambridge, Maryland. Recording artists ...

Video / DVD

Paul Smith: Swinging Elegance

Paul Smith: Swinging Elegance

Source: JazzWax by Marc Myers

In the late 1940s and 1950s, few pianists moved as effortlessly and deftly between jazz and pop as pianist Paul Smith. Instrumental pop, as a genre, came into its own after 1948, with the advent of the 10-inch LP. Pop back then still had plenty of swing but was really jazz-light—easy-going music that had a bit of a kick but didn't venture too far off a familiar song's melody.  Pop as a lucrative record-company division emerged then when record buyers ...

1
Music Industry

Backgrounder: Paul Quinichette: Moods, 1954

Backgrounder: Paul Quinichette: Moods, 1954

Source: JazzWax by Marc Myers

Mercury Records began as a Chicago R&B label in 1945, shortly after the first musicians union recording ban was settled. As the LP business took off in the early 1950s, Mercury became a mainstream pop label, launching EmArcy to handle its jazz business. Run by Bob Shad, EmArcy began production in 1954 by recording Dinah Washington's Dinah Jams; Erroll Garner's Contrasts; and Clifford Brown, Maynard Ferguson and Clark Terry's Jam Session. EmArcy's fourth album of 1954 was Moods, by Paul ...

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