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Roy "Future Man" Wooten
Gregory Golub Releases A New Jazz Reflection On The Madness Of The Moment: 'Not Knowing What The Future Holds'

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Gregory Golub
Jazz pianist and composer Gregory Golub unveils his latest work, Not Knowing What the Future Holds—a new solo jazz piece with an unusual format, captured live and released both as an audio single and a concert video. The live recording was captured in a single take, highlighting the spontaneity and conversational spirit of improvisation. (A separate studio take was also recorded, equally spontaneous in its own way.) The composition is built so that Golub manages to play both acoustic piano ...
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The Sicilia Jazz Festival Set For June 22 to July 6 with Cecile McLorin, Eliane Elias, Victor Wooten, Jazzmeia Horn, John Pizzarelli and more

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All About Jazz
The Sicilia Jazz Festival 2025, now in its fifth edition, reaffirms its status as a major cultural event, showcasing an impressive lineup of 85 concerts: eight orchestral productions, 61 performances in the Village area, 14 regional concerts, and two in community-based venues. The festival engages 385 musicians, features five world premieres with artists like Village People, Nina Zilli, Piero Pelù, Jazzmeia Horn, and Victor Wooten, and presents three national exclusives with John Pizzarelli, Cécile McLorin Salvant, and Eliane Elias. Representing ...
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Roy Ayers (1940-2025)

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JazzWax by Marc Myers
Roy Ayers, a vibraphonist, record producer and composer who created a new jazz sound in the mid-1970s that combined electronic jazz, trippy funk and soothing soul that rested heavily on mellow chord sequences and lyrical melodies, died on March 4. He was 84. Ayers began by recording hard bop in 1962 with Curtis Amy and recorded his first leadership album, West Coast Vibes (United Artists), a year later. He broadened his approach in 1966 when he teamed with jazz and ...
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Roy Haynes: 1925-2024

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JazzWax by Marc Myers
Roy Haynes, whose power and sensitivity on the drums made him a first choice for leading jazz instrumentalists and singers and whose tasteful pokes, polyrhythms and grooves landed him on swing, bebop, cool, Third Stream, spiritual, free jazz and fusion recording sessions, died on November 12. He was 99. Born eight years after the first jazz 78 was recorded in 1917, Roy began his recording career in Luis Russell's band in New York in 1945. His first bebop recordings were ...
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Louis Stringer: Shaping Jazz’s Future With Global Rhythms

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All About Jazz
In the world of jazz, where innovation and tradition often dance together in harmonious syncopation, Louis Stringer stands out as a visionary. At just 27, this British jazz/world music prodigy has become a pioneering force, known for his exceptional fusion of West African and South American rhythms with free-flowing jazz. His story, as told by London-based journalist Mishti Ali, is not just one of talent but of bold exploration and profound influence. Louis's journey began as many legendary tales do—with ...
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Backgrounder: Buddy Collette - Man of Many Parts

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JazzWax by Marc Myers
West Coast jazz in the 1950s wasn't exclusively a white enterprise. There was a significant number of black jazz artists in Los Angeles then as well who played in the breezy, contrapuntal style. But in the late 1940s and early '50s, black jazz artists were largely isolated as a result of the segregated locals of the American Federation of Musicians. Black musicians belonged to Local 767 while whites belonged to Local 47. In April 1953, Local 47 was amalgamated with ...
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Automatic Man Legend Todd Cochran Releases 'From The Vault: Notes For The Future'

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Glass Onyon PR - Keith James
Notes for the future are the “imagined sometime in the past” tropes of a storyteller. Freed from every day “isms” of convention and released from the symbolic containment of the vault, the music is an allegorical exploration in futurism. The stream running throughout the musical narrative is a speculative commentary about our human search for meaning, and we’re reminded that as a version of our ancestors’ vision, this quest never ends. From The Vault is structured around a sequence of ...
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Roy Budd: Brit Movie Soundtracks

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JazzWax by Marc Myers
In the 1970s, London had a second Swinging decade. While most everyone is familiar with the music-fueled pop fashion scene of the first Swinging London of the 1960s, those outside of the U.K. are probably scratching their heads when I refer to Swinging London Part 2. Instead of a music takeover, this one was by the British film industry. Buoyed by the success of James Bond, the film industry in Britain went into overdrive turning out dozens of movies about ...
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Jazz Musician of the Day: Roy Haynes

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Michael Ricci
All About Jazz is celebrating Roy Haynes' birthday today!
Roy Haynes was born in Boston, March 13, 1925, and was keenly interested in jazz ever since he can remember. Primarily self-taught, he began to work locally in 1942 with musicians like the Charlie Christian inflected guitarist Tom Brown, bandleader Sabby Lewis, and Kansas City blues-shout alto saxophonist Pete Brown, before getting a call in the summer of 1945 to join legendary bandleader Luis Russell (responsible for much of Louis Armstrong's ...
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Pianist/Composer Yelena Eckemoff Presses Forward With Her Bold, Conceptual Vision Of Jazz On 'Lonely Man And His Fish,' Due April 28

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Terri Hinte Publicity
Pianist-composer Yelena Eckemoff's body of elaborate, ambitious jazz concept albums reaches a new virtuosic summit with Lonely Man and His Fish, to be released April 28 on her own L&H Production label. A double-CD set, the album is also a long-form parable, a story of deep affection between a human and his beloved pet. An all-star lineup—cornetist Kirk Knuffke, flutist Masaru Koga, bassist Ben Street, and drummer Eric Harland—helps Eckemoff breathe life into the tale. Eckemoff, who is an artist ...
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