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Patrick Moraz
Bill Bruford: The Winterfold Collection 1978-1986
by John Kelman
It's often easy to judge artists based on where they are now, but when you have a recorded legacy as rich as that of Bill Bruford, it's far better to view the body of work as a whole. As divergent as the intrepid percussionist/composer/bandleader's career has been, there are common threads running through all his work, making the earlier, electrified and amplified material on this Winterfold Collection fit contextually as a logical antecedent to his more recent unplugged and improvisation-centric ...
read morePatrick Moraz / Bill Bruford: In Tokyo
by John Kelman
Known as the art rock drummer who ultimately found his way to jazz, Bill Bruford doesn't appear to be letting up. It's been a busy year: the supposedly retired drummer published his thoroughly engaging Bill Bruford: The Autobiography (Jawbone, 2009) and participated in a whack of interviews; he's released what he claims will be his final album of “new" material, Skin and Wire (Summerfold, 2009) (teaming the intrepid drummer with contemporary keyboard group Pianocircus, performing music by composer Colin Riley); ...
read moreRefugee: Patrick Moraz / Lee Jackson / Brian Davison: Live in Concert 1974
by John Kelman
When Keith Emerson left The Nice in 1969 to form Emerson, Lake and Palmer, bassist/vocalist Lee Jackson and drummer Brian Davison were left in a quandary. Both were capable enough, but Emerson was clearly the star of the show. Jackson's subsequent Jackson Heights achieved some cult status, but was hamstrung by average playing and writing--and Jackson's grating voice. So it was a very good thing for Jackson and Davison when they found a new wunderkind in keyboardist Patrick Moraz. With ...
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