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Jon Deitemyer
Jon has been a member of Greenleaf artist Matt Ulery's various ensembles since 2006, and currently performs with Concord recording artist Patricia Barber. In addition, Jon has performed and recorded with Zach Brock, Phil Markowitz, Ben Paterson (MaxJazz), Grazyna Auguscik (EMI), Renee Fleming, Lynne Arriale, and American Public Media's "Prairie Home Companion".
Jon is also an active educator, with positions at Loyola University Chicago and the Chicago Academy for the Arts.
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Kevin Fort: Everything I Love
by Hrayr Attarian
Pianist Kevin Fort is a virtuoso improviser and an imaginative composer with a refreshingly novel style rooted firmly in the mainstream tradition. In addition to playing with several Chicago-area artists, Fort leads a cohesive trio that has created a unique, delightfully textured sound. It is mostly with this ensemble that he has recorded his four superb albums, the last of which is the disc at hand, the captivating Everything I Love. A mix of standards and Fort's originals, ...
Continue ReadingKevin Fort: Everything I Love
by Dan McClenaghan
The ghosts of pianists past inhabit the music of Kevin Fort. The Chicago-based piano man's third album release, Everything I Love, keeps a grip on the tradition with an eye to right now on this ten-tune workout that includes five engaging Fort originals and and five well-chosen standards, incuding the Cole Porter title tune, the Rodgers and Hart's “Spring Is Here," and Tadd Dameron's “If You Could See Me Now." Those ghosts? Erroll Garner, Tommy Flanagan, maybe even ...
Continue ReadingJarod Bufe: Brighter Days
by Dan McClenaghan
Making a living as jazz artist is a challenge. For every jazz megastar who can support his or herself with their music, dozens rely on day jobs and remain relative unknowns, even while making great music. Players like saxophonist Buck Hill, who did a forty-year stint working for the Post Office while releasing eleven excellent recordings--including his top ten album of the year material swan song, Relax (Severn, 2006) while working the day job that provided the bread and butter ...
Continue ReadingAlex Beltran: Rift
by Hrayr Attarian
Chicago-based saxophonist Alex Beltran delivers a tour de force with Rift, an exploration of identity in a musical form. Beltran, who grew up in two distinct cultural spheres, those of his Latino father and his white mother, describes in the liner notes how he never fit with either side of the family. This became a source of inspiration for his cohesive debut as a leader, which features seven of his compositions and a cover of the electronic duo, Sylvan Esso's ...
Continue ReadingPaul Dietrich: 5+4
by Jack Bowers
The concept for this latest album by Wisconsin-based trumpeter, composer and educator Paul Dietrich, his fourth as leader, can be found in its title, 5+4, wherein he employs a jazz quintet and four-member string section. It is to Dietrich's credit that neither one outshines the other; the quintet takes the lead on six of the album's eight numbers (all written by Dietrich), the strings on the others ("Out Here," “A Separation"). Indeed, the two components mesh so ...
Continue ReadingChad McCullough: The Charm of Impossibilities
by Jack Bowers
At its core, trumpeter Chad McCullough's album, The Charm of Impossibilities is an homage to the music of classical composer Olivier Messiaen, whose singular approach to composition has inspired McCullough since he first happened upon works by the French writer soon after the turn of this century. He writes, “Messiaen's music is so complex in structure, yet still accessible to the casual listener and completely overwhelming emotionally." His plan for the album was to transpose Messiaen's concepts to a setting ...
Continue ReadingChad McCullough: The Charm of Impossibilities
by Dan McClenaghan
Trumpeter Chad McCullough encountered classical composer Olivier Messiaen's “Quator pour la fin du temps" back in the early days of his jazz career. That music was written in 1940 by Messiaen to be played by a chamber ensemble consisting of the composer's fellow inmates in a German prison camp. McCullough's The Charm Of Impossibilities takes its inspiration from this classical work. McCullough describes Messiaen's chamber piece: “Complex in structure, yet still accessible to the casual listener and completely ...
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Music
Wish You Were Here
From: ReminiscingBy Jon Deitemyer
Midnight at the Oasis
From: ReminiscingBy Jon Deitemyer
Last Dance
From: ReminiscingBy Jon Deitemyer
Use Me
From: ReminiscingBy Jon Deitemyer
Tell Me Something Good
From: ReminiscingBy Jon Deitemyer
Stat
From: Bicoastal Collective: Chapter...By Jon Deitemyer
