Home » Jazz Musicians » Rafael Barata
Rafael Barata
Born and raised in Rio de Janeiro, Rafael Barata started playing drums at age of 5. His whole childhood was surrounded by music. The Samba and especially the Bossa Nova were his playground, always having fun with his dad Roberto Mendes and his brother Roberto Barata both musicians. This great culture genuine from RJ, Brazil, made his drumming a reference around the world. He started his studio career at the age of 14. He has won two International Brazilian Drums contests: 1st Batuka - At the age of 15, and the Batuka Masters 2000 at the age of 20. In the same time, he started to play with greatest Samba Jazz legends from 60’s that introduced to him the Jazz world. This experience enhanced his jazz approach so much and years later he went to NY, where he started to play with the Jazz masters.
Since then, Rafael has recorded and performed with several internationally acclaimed artists including Emilio Santiago, Rosa Passos, Eliane Elias, Marc Johnson, Kenny Barron, Edu Lobo, Leny Andrade, Lisa Ono, Herbie Hancock, Kenny Werner, Toots Thielemans, Antonia Bennett, Esperanza Spalding, Christian McBride, Ivan Lins, Milton Nascimento, Romero Lubambo, Zezé Motta, Liz Rosa, Angela Ro Ro, Nana Caymmi, Boca livre group, Paula Morelenbaum, Carol Saboya, Amanda Brecker, Maúcha and Muiza Adnet, Andréa Dutra, Mônica Salmaso, Joyce, Alcione, Luís Melodia, Zizi Possi, Flávio Venturini, Leila Pinheiro, João Bosco, Roberto Menescal, Antonio Adolfo, João Donato, JT Meirelles, Jaques Morelenbaum, Lula Galvão, Maurício Einhorn, Mario Adnet, Moacir Santos, Hélio Celso, Idriss Boudrioua, Osmar Milito, Durval Ferreira, Marcos Amorim, Daniel Garcia, Jeff Gardner, Mika Mori, Nelson Faria, Paulo Moura, Mike Moreno, Root System L.A. Group, Klaus Mueller, Dave Liebman, Ricardo Vogt, Leo Gandelman, Marcos Nimrichter, Cliff Korman, Augusto Mattoso, Leonardo Amuedo, Claudio Roditi, Guilherme Dias Gomes, Turi Collura, Spok Frevo, Hamilton de Hollanda, Gabriel Grossi, Hermeto Pascoal, Marcos Valle, Raul de Souza, Oscar Castro Neves, Dario Galante, Zé Renato, Roberta Sá, Paula Santoro, Ney Matogrosso, the Singer/drummer Wilson das Neves, Alma Thomas, Chiara Civello, Jenny Robson, Gastão and Antônio Villeroy and many many others.
He was the house drummer at Mistura Fina - Rio de Janeiro's Jazz headquarters - for many years with the piano legend Osmar Milito and the bassist Augusto Mattoso. At this venue, he had the opportunity to play with several great artists including Russell Ferrante, Mike Shapiro, John Pizzarelli, Jane Monheit, Karrin Allison, Kevin Lethau, Mike Stern and many others American jazz artists.
Read moreTags
Antonio Adolfo: Carnaval - The Songs Were So Beautiful

by Pierre Giroux
Veteran pianist, composer, and arranger Antonio Adolfo has long been a master at capturing the essence of Brazilian music through a jazz perspective. On Carnaval (The Songs Were So Beautiful), Adolfo draws on a wide range of traditional Brazilian carnival styles-- sambas, marchinas, marchas-rancho, and frevos--to create a vibrant and richly textured album that bursts with celebration while leaving space for nuance and reflection. This is not a jazz adaptation of Brazilian music; it's Brazilian music elevated with jazz sophistication ...
Continue ReadingAntonio Adolfo: Carnaval - The Songs Were So Beautiful

by Katchie Cartwright
What prompted pianist and composer Antonio Adolfo to record, in 2025, an album of songs from the 'golden age' of Brazilian carnaval music, circa 1920-1950? He has known and loved this music since he was a child, growing up in Rio de Janeiro. All these songs are very alive in my memory," he told All About Jazz. They were everywhere--on the radio, in the streets, in social clubs." At the time, he saw that there was some magic in the ...
Continue ReadingCliff Korman: Urban Tracks

by Richard J Salvucci
An avid listener of Brazilian music could go crazy trying to figure out exactly where Cliff Korman comes down musicially. His opening track , Cheio de Malicia" could almost be taken for some sort of stride-bossa--the same feel pops up on Canhoto" too--with allusions to Kenny Barron, Vince Guaraldi, McCoy Tyner even. Paired with bassist Harvie S, who seems to top himself on each successive track, Korman's creativity and sheer musicianship is a delight, the sound of surprise" if there ...
Continue ReadingCliff Korman: Urban Tracks

by Katchie Cartwright
As ever, Urban Tracks finds pianist, arranger-composer and scholar Cliff Korman alchemizing, jazzifying choros and Brasilifying jazz tunes to create his own distinctive arrangements. Mood Ingênuo: Pixinguinha Meets Duke Ellington with Paulo Moura (Jazzheads, 1999), Brasilified (Tiger Turn, 2022) and Bossas and Ballads (Tiger Turn, 2024) are among other examples in his discography. He recorded Urban Tracks in his hometown, New York, with Brazilian drummer Rafael Barata and NYC bassist Harvie S, but these days Korman lives in Rio de ...
Continue ReadingAntonio Adolfo: Love Cole Porter

by Pierre Giroux
Love Cole Porter is pianist Antonio Adolfo's masterful tribute to the genius of Cole Porter, capturing his musical essence while infusing it with a Brazilian flair. This release is not just a tribute but a careful reimagining, bringing his timeless melodies, intricate lyrics, and sophisticated harmonies into a new light. Accompanying Adolfo is a coterie of seasoned Brazilian musicians who have been on several of his releases, including guitarist Lula Galvao, bassist Jorge Helder, drummer Rafael Barata, percussionist Dada Costa, ...
Continue ReadingKarrin Allyson: A Kiss for Brazil

by Katchie Cartwright
A Kiss for Brazil is Kansas-bred Grammy-nominated singer Karrin Allyson's third release to feature Brazilian music (From Paris to Rio, Concord, 1999; Imagina, Concord, 2008), and her first to showcase Brazilian musicians: Vitor Gonçalves on piano and accordion, Rafael Barata at the drums, plus the acclaimed singer-guitarist and songwriter Rosa Passos. First-call New York-based guitarist Yotam Silberstein and bassist Harvie S complete the group. The album sprang into being spontaneously, in response to a concert Passos had scheduled in New ...
Continue ReadingAntonio Adolfo: Bossa 65

by Katchie Cartwright
In 1963, a seventeen-year-old Antonio Adolfo was already gigging professionally on the exploding bossa nova scene in Rio de Janeiro, his hometown. His career has continued unabated. For decades, he has been putting out a steady stream of admirable albums, earning critical praise and multiple Grammy nominations. His releases have often focused on the work of great Brazilian composers (Chiquinha com Jazz, BruMa, Jobim Forever), sometimes on a particular style or genre (Chora Baião, Rio Choro Jazz), on connections between ...
Continue ReadingPhotos
Music
Flor de Lis
From: A Kiss for BrazilBy Rafael Barata
Heart Of Brazil
From: Octet And OriginalsBy Rafael Barata
Baião Cansado
From: Baião CansadoBy Rafael Barata