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Mike Turk
In the 1990’s Turk performed and collaborated with great Boston players such as Gray Sargent and Marshall Wood (both presently with Tony Bennett) and had the great honor to play with Dave McKenna from time to time. Other somewhat unsung, top-notch Boston players include Jeff Stout, Dick Johnson, Jon Wheatley, Lou Columbo, Ray Santisi, Paul Schmelling, Paul Broadnax, John Lockwood, Bob Guilloti, the great jazz drummers Joe Hunt and also Alan Dawson…..many more great players not mentioned here!
In Recent years, Turk had the great pleasure of sharing the Scullers Jazz Club concert stage with jazz vocalist Rebecca Parris and her band consisting of Brad Hatfield, Peter Kontrimus and Jim Lattini.
Mike Turk’s American jazz influences played on the chromatic harmonica are exemplified throughout his recording career.
“Harmonica Salad” includes jazz tunes such as ” Lament” ( J.J. Johnson), “Half Nelson” (Miles Davis), “The Mooch” ( Ellington) ( see Anthology CD)
“ Turk’s Works” a total homage to Lester Young includes his arrangement of “Lover/ Diggin’ For Diz” ( D. Gillespie), “Three Little Words”, “Crazyology” ( Bud powell), “Peace” ( Horace Silver), “Prey Loot” ( Lucky Thompson).
“ The Nature Of Things” Cd title inspired from the recording by Bill Evans, also includes “I want To Live” ( comp Johnny Mandel from that same titled 1955 Hollywood movie), “Con Alma” ( D. Gillespie) and shows Turk returning back to his Blues Harp roots on “Pickle in The Bank”.
Turk’s foray into the history of Bossa Nova with The Bossa 5 has a classic Bossa Nova band featuring the piano and arranging of Brazilian pianist Alfredo Cardim who came up through the original Bossa Nova scene in Rio de Janeiro & Ipanema. The similarities and influences of bebop and cool jazz on the composers of Bossa Nova tunes was often pointed out and explained by Toots Thielemans himself!
His CD release ( 2010) “ The Italian Job” is a collage of jazz tunes arranged for an Italian Jazz ensemble and recorded in Italy.
Mike pays tribute to Bill Evans in ” Pavane” (comp. Faure), Gerry Mulligan’s arrangement of with “Django’s Castle” (D. Reinhardt), Chet Baker & George Shearing on “Conception”. Alessandro Fabbri, Mike’s Italian drummer, wrote 2 tunes on this album. Fabbri’s tunes are a seemingly European/American interpretation. However, once again, Turk settles back to the American ‘textbook’ with “Old Man River” ( J. Kern), “All My Tomorrows” ( Cahn/Van Heusen), “Funk In Deep freeze” ( H. mobley) and an anomalous vocal tribute back to Turk’s blues roots with his vocals and original composition “Maxwell Street” … the very street where Urban/Chicago Blues was born.
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by AAJ Italy Staff
Al centro delle dieci tracce contenute in The Italian Job c'è quasi esclusivamente l'armonica di Mike Turk, leader di un album in cui si avvale della collaborazione di un quartetto di musicisti italiani dalle ottime credenziali. Quasi, perché in primo piano sa muoversi anche il vibrafonista Alessandro Di Puccio, che riesce a dialogare in scioltezza con il leader e a ritagliarsi qualche momento solitario, come del resto il pianista Paolo Birro, anche se il suo è un lavoro ...
Continue Reading"Mike Turk has applied the language of the saxophone to the harmonica in a very impressive fashion . . . it amazes me." Jerry Bergonzi
". . . It's not surprising to learn that Mike Turk was originally a blues player and started using chromatic harmonica only afterwards, for the blues is there in every note. His style owes a lot to Toots Thielemans, but it's more sober, also more joyful. This album swings from beginning to end . . ." LeJazz Magazine,
"Mike Turk is a no-nonsense musician and the harmonica is his life. [He is] one of a rare breed who started out with the blues harp and went on to get an enviable technique on the chromatic. His home base is bebop with a healthy swinging approach. He shows familiarity with some interesting melodic scales. [He makes] a harmonica statement that should reach out beyond the harmonica audience. . .Turk is a fiery player. . . . came out of the bluesharp and assimilated the chromatic quite fluently. . . . knows his changes and aims for swing! . . . !" Toots Thielemans
Primary Instrument
Harmonica
Location
Boston
Willing to teach
Intermediate to advanced
Credentials/Background
Berklee College Of Music 1999-2005 Privately 20 years hour Chromatic /diatonic Jazz, Blues, other styles
Clinic/Workshop Information
jazz ensemble clinics
diatonic & chromatic harmonica clinics
presented seminars at SPAH and Harmonica Summit 2000. Clinics at Berklee College, Amarillo, Texas
"From Blues to Jazz" - transitioning from diatonic to chromatic harmonica, understanding chord scales and 'key' tonality positions 2009 - Presented at Boston Museum Of Fine Arts - Musical Instrument Gallery