"An advice from Mrs.Variety..." (José Ramón Rubio - EL PAÍS)
"Markus Breuss, autre 'bricoleur' genial qui use de la trompette de poche et du didjeridoo... Une approche autre et raisonnablement moderne du son." (Philippe Renaud - IMPRO JAZZ)
"Markus Breuss has sometimes been labelled as a combination of Pink Floyd with Stockhausen..." (J.M. Nativa - EL PAÍS)
"Flowers of the improvisation among the galaxies, the 'zip' sound, the dizzy rhythm. Essential." (Antonio Murga - ROCK DE LUX)
"Markus Breuss, the director of Clónicos -the purest formation of the avant-garde scene in Madrid- left us completely astonished with a collection of unexpected sonic registers." (Karles Torra - LA VANGUARDIA)
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"An advice from Mrs.Variety..." (José Ramón Rubio - EL PAÍS)
"Markus Breuss, autre 'bricoleur' genial qui use de la trompette de poche et du didjeridoo... Une approche autre et raisonnablement moderne du son." (Philippe Renaud - IMPRO JAZZ)
"Markus Breuss has sometimes been labelled as a combination of Pink Floyd with Stockhausen..." (J.M. Nativa - EL PAÍS)
"Flowers of the improvisation among the galaxies, the 'zip' sound, the dizzy rhythm. Essential." (Antonio Murga - ROCK DE LUX)
"Markus Breuss, the director of Clónicos -the purest formation of the avant-garde scene in Madrid- left us completely astonished with a collection of unexpected sonic registers." (Karles Torra - LA VANGUARDIA)
"A sublimation of the sonorous abstraction through the most beautiful chaos, near from the total nirvana... Upsetting and magisterial." (Luis Llés - DIARIO DEL ALTO ARAGON)
"...wahnsinnige und beeindruckende Musik...Die sechs ausgeflippten Spanier leisteten geistige und körperliche Schwerstarbeit, ihr Konzert wirkte wie eine einmalige Aktion, die einen völlig in den Bann zog." (M.Heinisch - SKUG, Wien)
"Actually, a model recital with no concessions; a recital that does not abund at all." (Miguel Jurado - EL PAÍS)
"Dalla Spagna, Markus Breuss con i deliziosi Clonicos ha offerto uno spettacolo vivacissimo, impeccabilmente eseguite nell´allegra 'finta confusione' del palcoscenico." (Michele Mannucci - MUSICA JAZZ)
"...that scenic self-confidence that makes his multi-instrumental spectacles to be something hardly to trivialize." (Luis Martín - EL MUNDO)
"We must label this Swiss musician, who was born in Altstätenn, as indispensable in the Spanish avant-garde musical scene. An unclassifiable self-taught person and a prototype of the current Renaissance music, Markus Breuss is guaranteed by more than 150 compositions of a very different Nature: chamber music, electro-acoustic, jazz, experimental rock, computer music and sound tracks for theatre. As an interpreter, he plays the trumpet, the tuba, the keyboards, the percussion and the fliscorno(sic.); besides, he also plays toy instruments, samplers, tapes, record players... and self-made instruments." (Antonio Murga - MUSICA GLOBAL)
"The East and its spicy flavours; jazz with experimental tradition; the gestural and the scenic matter; the sincere musical event of an improvisation with street musicians; the searching for the ancestral instruments made of bone or of the noble metal from the Tibet's mythical lutery (sic.). The ancestor and the spontaneity of the musical affair are closely bound together , generating Markus Breuss as a musician that does bind himself only from a quiet passion..." (Gonzalo Fernández - notes for the programme of "Lost and Hidden Items", open in 1999 in Museo-Centro de Arte Reina Sofía)
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