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Liran Donin
Ill Considered: Precipice
by Chris May
The British pianist John Tilbury believes that some free-improv musicians play for too long without pausing for literal or metaphorical breath and, to make matters worse, do not listen hard enough to their bandmates. How right he is. Tilbury has not named names, but many AAJers could surely suggest some. Tilbury recommends that improvising musicians should only play for one-third of the time available. Tell this to London's improvising trio Ill Considered--tenor saxophonist Idris Rahman, bassist Liran Donin ...
Continue ReadingIll Considered: Liminal Space
by Chris May
London's semi-free trio Ill Considered makes music in much the same way as does tenor saxophonist Binker Golding and drummer Moses Boyd's duo, Binker and Moses--using simple rhythmelodic motifs as jumping off points for otherwise unstructured improvisation, much of it blazingly intense. Originally a quartet, Ill Considered now comprises founder members tenor saxophonist and bass clarinetist Idris Rahman and drummer Emre Ramazanoglu plus post-pandemic recruit, bassist Liran Donin. The band self-released an impressive nine albums between 2017 and 2019. Liminal ...
Continue ReadingLiran Donin's 1000 Boats: 8 Songs
by Roger Farbey
The virtuosic bass solo that opens “I Can See Tarifa" is the prelude to a dynamic ensemble vamp, unleashing torrents of unbridled saxophone . “The Story Of Annette And Maurice" is more reflective and utilises the twin horns in close harmony and Donin's pizzicato bass duetting with Maria Chiara Argirò's piano. The piece gradually picks-up momentum and volume resolving in a crescendo of sound before fading into a wistful piano outro. “Tel Aviv To Ramallah" is suitably dramatic ...
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Recordings: As Leader | As Sideperson
