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Juma Sultan
Jimi Hendrix: Electric Lady Studios: A Jimi Hendrix Vision

by Doug Collette
Dyed-in-the-wool cynics, Jimi Hendrix fans or not, may well perceive Electric Lady Studios: A Jimi Hendrix Vision as a thinly-veiled means to camouflage the reality that the late guitar hero's vault may have been archived to its fullest possible extent. But the film at the heart of the collection acts as a prism of sorts, shedding so different a light on the multi-faced music of Hendrix music, the (over) familiarity of the content allows for new perspectives on the creative ...
Continue ReadingPaul R. Harding / Michael Bisio / Juma Sultan: They Tried to Kill Me Yesterday

by Mark Corroto
When we speak of poetry and music, should we ask the chicken and the egg question? As in, which came first? Certainly there was music before spoken word, for imitations of bird calls and other nature sounds will have predated language. So, it's settled, right? Maybe, but not so fast. They Tried to Kill Me Yesterday raises an even more complex inquiry that goes beyond the avian and the ovum. Enter poet Paul R. Harding. His early years ...
Continue ReadingCharlie Apicella and Iron City Meet the Griots Speak: Destiny Calling

by Troy Dostert
Since the early 2000s, guitarist Charlie Apicella's Iron City trio has devoted itself to maintaining the tradition of soulful, organ-based jazz. The aptly-titled Groove Machine (OA2 Records, 2019) preceded Destiny Calling, the group's 2023 album. And the latest one is quite a change-up. For this outing, Apicella has teamed up with The Griots Speak, an all-star assemblage of veterans who trace their roots to the halcyon days of the New York loft scene of the 1970s: multi-instrumentalist Daniel Carter, percussionist ...
Continue ReadingCharlie Apicella & Iron City: The Griots Speak: Destiny Calling

by Hrayr Attarian
Guitarist Charlie Apicella and his organ trio Iron City are solidly based in the hard-bop mainstream. However, some of their releases are flavored with other motifs, partially by virtue of the guest artists. For instance, the tribute to legendary guitarist B.B. King, Payin' the Cost To Be the Boss (CArlo, Music, 2016), with an augmented sextet, was aptly bluesy. Meanwhile Classic Guitar (Zoho, 2020), with tenor saxophonist Stephen Riley, was an intimate interpretation of the Great American Songbook.
Continue ReadingJoe McPhee, Michael Bisio, Fred Lonberg-Holm, Juma Sultan: The Sweet Spot

by John Sharpe
Making music with one's neighbors was one way of getting by during the pandemic. Of course, it helps if your colleagues are all of the caliber of the foursome assembled on The Sweet Spot, all of whom reside in the Hudson Valley, a couple of hours north of NYC. But it is not just geographic proximity which promotes the special chemistry in evidence on the set. Saxophonist Joe McPhee and bassist Michael Bisio go back to the mid-'90s, and have ...
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Call to Action: Concerted Effort
From: Call to Action / Call to PrayerBy Juma Sultan
Titan vs. Sphinx
From: Destiny CallingBy Juma Sultan