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Ian Matthews
The Jazz Defenders: Memory In Motion
by Chris May
If there is one quality of first generation NYC hard bop which no twenty-first century band has succeeded in capturing it is the snarling half-valve badness which coursed through Lee Morgan's music. The absence is not surprising, for Morgan's vibe was a real-time product of the demi-monde in which he moved and that world is gone forever. Hard bop was not all about badness, however. Of equal weight towards the other end of the spectrum were Horace ...
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Recordings: As Leader | As Sideperson