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Godspeed You! Black Emperor

Godspeed You! Black Emperor (formerly punctuated Godspeed You Black Emperor! and abbreviated to GY!BE, GYBE, or just Godspeed) is a Canadian post-rock band based in Montreal, Quebec. Formed in 1994 in Montreal, Canada, the band have been highly influential within the post-rock genre. Working with orchestrated arrangements, the nine-piece group created tracks with wide dynamic ranges, a highly evocative use of instrumentation and sounds and uncompromising long form compositions. Their engrossing use of art and visuals in both album packaging and live performances create an enigmatic aura. Godspeed You! Black Emperor took their name from a little known 1976 Japanese black-and-white documentary by director Mitsuo Yanagimachi, which follows the exploits of a Japanese biker gang, the Black Emperors. They are most commonly classified as post-rock, but are just as well recognized outside any established scene and take influences from a range of styles including progressive rock, post-punk, classical music, soundtrack composition and the avant-garde. Each release usually consists of an entire piece divided into movements, mostly between 15 and 25 minutes, sometimes eponymously specified in the liner notes. GY!BE formed around 1994 with three members and had as many as fifteen members but tended to have a core group of nine. Their instrumentation varied with the lineup but the music is mostly based around electric and bass guitars, as well as a strings and a percussion section. Other instruments such as the glockenspiel or the French horn have made occasional appearances. The music on some of their releases is accompanied by spoken word samples recorded by the members across North America, including: an apocalyptic street preacher from Vancouver, BC, Canada, an announcement at a gas station, a group of children talking and singing in French, as well as many recordings taken from shortwave radio. Most of the members are also anarchists. GY!BE members have in the past been reluctant to submit themselves to the traditional self-publicizing interviews, and have openly expressed their distaste for popular culture (and its trappings of high profile record stores, iTunes, etc.) despite the wide availability of their music in easy-access mainstream. This proliferated outsider status has given them a reputation as shadowy, even unfriendly figures, and not a great deal is known about the individual histories of band members. However they became considerably better known after appearing on the cover of British music magazine the NME in 1999. Efrim Menuck is the most commonly identified participant in the press process, which has resulted in him being commonly mis-labeled as the frontman.

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