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Edgar Meyer

In demand as both a performer and a composer, Edgar Meyer has formed a role in the music world unlike any other. Hailed by The New Yorker as “…the most remarkable virtuoso in the relatively un-chronicled history of his instrument”, Mr. Meyer’s unparalleled technique and musicianship in combination with his gift for composition have brought him to the fore, where he is appreciated by a vast, varied audience. His uniqueness in the field was recognized by a MacArthur Award in 2002.

As a solo classical bassist, Mr. Meyer can be heard on a concerto album with the St. Paul Chamber Orchestra conducted by Hugh Wolff featuring Bottesini’s Gran Duo with Joshua Bell, Meyer’s own Double Concerto for Bass and Cello with Yo-Yo Ma, Bottesini’s Bass Concerto No. 2, and Meyer’s own Concerto in D for Bass. He has also recorded an album featuring three of Bach’s Unaccompanied Suites for Cello. In 2006, he released a self-titled solo recording on which he wrote and recorded all of the music, incorporating piano, guitar, mandolin, dobro, banjo, gamba, and double bass. In 2007, recognizing his wide-ranging recording achievements, Sony/BMG released a compilation of The Best of Edgar Meyer. In 2011 Mr. Meyer joined cellist Yo-Yo Ma, mandolinist Chris Thile, and fiddler Stuart Duncan for the Sony Masterworks recording “The Goat Rodeo Sessions” which was awarded the 2012 Grammy® Award for Best Folk Album.

``The most remarkable virtuoso in the relatively un-chronicled history of his instrument.`` — The New Yorker

As a composer, Mr. Meyer has carved out a remarkable and unique niche in the musical world. One of his most recent compositions is the Double Concerto for Double Bass and Violin which received its world premiere July 2012 with Joshua Bell at the Tanglewood Music Festival with the Boston Symphony Orchestra. Mr. Meyer and Mr. Bell have also performed the work at the Hollywood Bowl with the Los Angeles Philharmonic, the Aspen Music Festival, and with the Nashville and Toronto symphony orchestras. In the 2011-12 season, Mr. Meyer was composer in residence with the Alabama Symphony where he premiered his third concerto for double bass and orchestra. Mr. Meyer has collaborated with Béla Fleck and Zakir Hussain to write a triple concerto for double bass, banjo, and tabla, which was commissioned for the opening of the Schermerhorn Symphony Center in Nashville. The triple concerto was recorded with the Detroit Symphony Orchestra under Leonard Slatkin and featured on the 2009 recording The Melody of Rhythm, a collection of trio pieces all co-composed by Mr. Meyer, Mr. Fleck and Mr. Hussain. Mr. Meyer has performed his second double bass concerto with the Los Angeles Chamber Orchestra and his first double bass concerto with Edo de Waart and the Minnesota Orchestra. Other compositions of Mr. Meyer’s include a violin/piano work which has been performed by Joshua Bell at New York’s Lincoln Center, a quintet for bass and string quartet premiered with the Emerson String Quartet and recorded on Deutsche Grammophon, a Double Concerto for Bass and Cello premiered with Yo-Yo Ma and The Boston Symphony Orchestra under Seiji Ozawa, and a violin concerto written for Hilary Hahn which was premiered and recorded by Ms. Hahn with the St. Paul Chamber Orchestra led by Hugh Wolff.

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Album Review

Christian McBride, Edgar Meyer: But Who's Gonna Play The Melody?

Read "But Who's Gonna Play The Melody?" reviewed by Mike Jurkovic

It is not known exactly how many duets of this nature have fallen into the lackluster bin of audio history. But rest assured that But Who's Gonna Play The Melody? is as far from that incalculable number as the moon is from the sun. Emblematic of Christian McBride's whole groove credo, everything falls into place quickly, smoothly, and easily on But Who's Gonna Play The Melody?. On the bassist's gazillionth high spirited musical offering, McBride soul-teams with finger-snapping, ...

Album Review

Bela Fleck: As We Speak

Read "As We Speak" reviewed by Doug Collette

As We Speak is an emphatic continuation of banjoist Bela Fleck's eclectic adventures dating back to his high school days. It is thus only fitting that this LP's title alludes to the ongoing artistic process wherein creativity can ensue, virtually non-stop, no matter what other dialogue(s) might be going on at the time. In fact, the trio of Fleck, tabla master Zakir Hussain and bassist Edgar Meyer have collaborated in the past--see The Melody of Rhythm (Koch, 2009). ...

Liner Notes

Bass Extremes: S'Low Down

Read "Bass Extremes: S'Low Down" reviewed by Chris Jisi

Thirty years ago, a simple pairing changed the trajectory of bass. Steve Bailey and Victor Wooten, bonded by their mutual fretboard wizardry, sharp wit, and teaching philosophies, formed Bass Extremes, and the instrument and its community were forever transformed. The concept was quite ambitious. Steve was a rapidly ascending anchor for Dizzy Gillespie, Paquito D'Rivera and the Rippingtons, who had found his voice on the 6-string fretless bass and was taking the instrument to uncharted heights, with a soon to ...

Album Review

Yo-Yo Ma / Stuart Duncan / Edgar Meyer / Chris Thile: The Goat Rodeo Sessions

Read "The Goat Rodeo Sessions" reviewed by Lawrence Peryer

The Goat Rodeo Sessions is the perhaps not-so-unlikely collaboration between mandolinist Chris Thile, bassist Edgar Meyer, fiddle player Stuart Duncan and ubiquitous cellist Yo-Yo Ma. These four master musicians have together made some of the most lyrical and captivating music of 2011. As expected, the playing is superlative. The compositions were born of group improvisations but, while each musician is given ample room to shine, it is when they are truly playing together that the real drama ...

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Bela Fleck, Zakir Hussain & Edgar Meyer Conjure a New Sound

Bela Fleck, Zakir Hussain & Edgar Meyer Conjure a New Sound

Source: All About Jazz

On August 25th, E1 Music will release The Melody of Rhythm, an unparalleled collaboration between banjo virtuoso Bela Fleck, composer and double-bass master Edgar Meyer and Zakir Hussain.

Arguably the world's greatest tabla player, followed by a 19-city tour of North American concert halls in September and October.

An understanding of musical tradition has led all three of these musical explorers to this common crossroad. “When I play with Zakir, I’m not an Indian musician but I can learn enough ...

Brad Barrett
bass, acoustic
Adam Armstrong
bass, acoustic



Recordings: As Leader | As Sideperson

But Who's Gonna Play...

Mack Avenue Records


As We Speak

Thirty Tigers


S'Low Down

Vix Records


The Goat Rodeo...

Sony Music


Dreams Of Flight

MCA Records



MCA Records



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