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Eats Everything

A contemporary UK electronic music institution, Eats Everything (AKA Daniel Pearce) has a global reputation built on versatility, superlative skills and a positive outlook - core fundamentals that have made him one of the most in-demand artists around. With his roots firmly embedded in the vibrant, influential music culture of his hometown, Bristol, Eats Everything channels his broad musical palette into every aspect of his output. In 2021 the globetrotting DJ, accomplished producer, prolific remixer, label owner, radio host and mastermind behind a collection of popular party brands will celebrate 10 years of his now infamous pseudonym.

Back in 2011, when Eats arrived on the scene, he was in the last chance saloon; working a job he wasn’t enjoying, while DJing was a hobby. Had it not been for the success of ‘Entrance Song’ he might still be working in recruitment. Fortunately, he broke through and, 10 years on, has not only maintained the energy of that first release, but has surpassed it with a consistently high level of production and a diverse range of styles. Since that breakthrough his production abilities have been demonstrated time and time again across an extensive back catalogue that includes an array of infamous ‘Rebeef’ mixes, edits, original solo cuts and collaborations.

Recent highlights from Dan’s discography include rave-tinged banger ‘Miss Honey’ on FFRR, ‘All The Ladies’ with Fatboy Slim, which landed on Southern Fried in March 2020, plus remixes of ‘My House’ by Jodie Harsh and a funked up ‘10 Years Of Eats Everything’ rework of the classic ‘God Made Me Phunky’ by MD X-Press on Defected. As well as releasing on his own Edible and EI8HT labels, Eats has been featured on Desolat, PETS, Intec, Kneaded Pains, Dirtybird, Crosstown Rebels, Cajual, Hypercolour and many more.

Eats Everything was a raver first and foremost, spending his formative years in Bristol’s infamous clubs (like Lakota and the FireStation) where his love for music was cemented. The result is an artist who is able to establish a deep bond with the crowd in front of him, with an intuitive understanding of how to keep the dancefloor pumped all night long. Dan began playing records when he was 12 and he’s been dedicated to electronic music ever since. With his turntables set up at his bedroom window he would look out from behind the decks and imagine playing to thousands of people. Now that dream is a reality and he’s relishing every second.

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