The 13 entirely improvised pieces on this sublimely
beautiful recording by Kastning... and Clements... tap
deep wells of subterranean feeling while simultaneously
filtering light from the Empyrean.
Barry Cleveland, GuitarPlayer.com
catch the remarkable tone Clements invokes... sounding
like a lost artifact from Oregon's prime, something
providentially found on the cutting room floor during
that remarkable band's Music from Another Present Era
period...Clements is... conversationally inclined,
explorative, emotionally invested, at times
Garbarekesque... Clements.. wastes no time mesmerizing
the listener as the guitar paints backdrops for his
pensees and visions.
Mark S
Read more
The 13 entirely improvised pieces on this sublimely
beautiful recording by Kastning... and Clements... tap
deep wells of subterranean feeling while simultaneously
filtering light from the Empyrean.
Barry Cleveland, GuitarPlayer.com
catch the remarkable tone Clements invokes... sounding
like a lost artifact from Oregon's prime, something
providentially found on the cutting room floor during
that remarkable band's Music from Another Present Era
period...Clements is... conversationally inclined,
explorative, emotionally invested, at times
Garbarekesque... Clements.. wastes no time mesmerizing
the listener as the guitar paints backdrops for his
pensees and visions.
Mark S. Tucker, AcousticMusic.com
“a fine composer and player… … maybe due to his
assimilation of Indian music performance techniques.
Clements can articulate verbally and on his instrument
with ease and dexterity.
Marc Medwin, Bagatellen.com
Clements tells a compelling story with his strong sense
of time and linear development.
H. Allen Williams, Jazz Times
“A touch of Hindustani inflected the entire
performance….The scorching solos drew applause every
single time.”
Arhat Sett, The Times of India
“The mood is pensive and it flows musically through
Carl's soprano saxophone solo as it tells the story in a
very picturesque way.”
Peter LaBarbara, Jazz Zine
“…brawny yet thematically rich tenor sax soloing”
Glenn Astarita, All About Jazz
“Clements' style harkens back to early jazz by
emphasizing the melodic variation of the piece's central
theme rather than using it as a starting point to be
abandoned. This results in spare yet friendly runs…
Clements' saxophone is more aggressive, invoking the
bluster and brilliance of Charlie.”
Ron Davies, Spendid Ezine
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