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Anthony Pinciotti
Anthony’s passion for music became apparent when at the age of two he began playing the drums. At the age of thirteen, he started playing professionally throughout the Midwest, working with many Motown and Midwestern jazz greats. By the age of sixteen Anthony had started working with the great multi-instrumentalist Ira Sullivan and soon after relocated to Miami, Florida to be his drummer. After being offered a full music scholarship, Pinciotti briefly attended the University of Miami. In 1994, Anthony moved to Chicago where he quickly became a highly sought after drummer who was consistently called on to back jazz masters touring through the area. In addition to being an in-demand sideman, he also led several successful groups containing members of the AACM and the Art Ensemble of Chicago. Anthony made the move to New York in 1998 and began working and touring internationally with many of the great musicians that make up the New York jazz scene. He has played at many of the most renowned venues and festivals around the world as well as appearing on numerous recordings. Anthony is also deeply committed to teaching and mentoring. He has given clinics and master classes around the world, as well as teaching at NYU, City University of New York (CUNY) and the New School for Jazz and Contemporary music. Through his love of music, meditation and metaphysics, Anthony came to realize the healing power of music, drumming and vibration. He began doing healing drum sessions and sonic meditations with people of all ages and now has clients across the country. He currently resides in Brooklyn, New York.
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Spike Wilner Trio Contrafactus: The Children & The Warlock

by Jack Bowers
A parodist might quip that Trio Contrafactus is simply another name for a quartet, as that is what pianist and entreprenuer Spike Wilner is leading on his new recording, The Children & the Warlock, wherein Wilner and his rhythm section (Paul Gill, bass; Anthony Pinciotti, drums) are flanked by renowned tenor saxophonist George Garzone. Wilner writes that the album is a tribute to one of his teachers, the late pianist and composer Harry Whitaker, who wrote its ...
Continue ReadingStefan Sirbu: Reverie

by Dan McClenaghan
The art of daydreaming is the birthplace of creativity. Moldavian-born pianist Stefan Sirbu delves into that state of receptive awareness with his album Reverie. The seven tunes presented here total up to a bit under 40 minutes. Sirbu says his goal was: To produce a record that one could listen to during a short commute home, to drift away for the time of a twilight bus ride or a peaceful stroll through a city at dusk." This may seem a ...
Continue ReadingMatt Panayides: With Eyes Closed

by Richard J Salvucci
This is a charming recording: reflective, tranquil and built around the compositions of some of the most distinguished players and composers of what ought to be called the American Jazz Songbook. Here you have music written by Wayne Shorter, Joe Henderson, Woody Shaw, Cedar Walton and Chick Corea, to name only the figures in one strain. If taste runs to Jimmy van Huesen, Frank Foster, Henry Mancini, or Jules Stein, well, that is more than adequately covered. Pianoless trios are ...
Continue ReadingAngela Verbrugge: Somewhere

by Katchie Cartwright
Based in Victoria, British Columbia, Angela Verbrugge keeps a busy schedule as a singer, touring in Canada and farther afield. In addition to performing, she writes songs--jazz songs, new standards--with lyrics that are engagingly personal and funny, containing the occasional acerbic twist. As a lyricist, she often speaks to the quotidian. Her texts are a perfect match for pianist Ray Gallon's boppish compositions. On Enough's Enough" (Love for Connoisseurs, Gut String Records, 2022), she takes a sloppy lover to task ...
Continue ReadingSpike Wilner Trio: Contrafactus

by Pierre Giroux
Pianist Spike Wilner, bassist Paul Gill and drummer Anthony Pinciotti have crafted an exquisite jazz listening experience in their release Contrafactus. Recorded in a single session, with only one take at GB's Juke Joint, the spontaneity and cohesion of the trio are manifest throughout the eleven compositions which seamlessly blend Wilner's original compositions with some better-known standards. The album opens with a Wilner original, At First Blush," which is a lively and infectious swinger. Wilner dashes ...
Continue ReadingAngela Verbrugge: Somewhere

by Michael Steinman
The proper response to Beauty is an awed admiring silence. So these liner notes should be one word in a large font: LISTEN. But Angela asked me to add a few hundred keystrokes to the project, so here we are. Incidentally, I have chosen to focus on Angela in the midst of the most superb musicians and arrangements. I hope they will forgive me! Angela Verbrugge is a great subversive. Her work is so quietly insinuating that listeners ...
Continue ReadingStacey Kent: Summer Me, Winter Me

by Neil Duggan
With her album sales measured in millions, Stacey Kent is one of the great success stories in modern jazz. Her multi-lingual abilities allow her to record in various languages and she has appeared in over fifty countries. Her appeal is global and it is her vocal ability which has taken her to these heights. Her voice is light but commands attention with her ability to engage and communicate the narratives of love and regret, often in a simple and minimalist ...
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For You, For Me, Forevermore
From: SomewhereBy Anthony Pinciotti
Until I Met You (Corner Pocket)
From: SomewhereBy Anthony Pinciotti
No Roots
From: Quarantine CoversBy Anthony Pinciotti
I'm Running Late
From: The Night We Couldn't Say Good...By Anthony Pinciotti