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Matt Fisher

Since: 2026 | Position: Contributor | Location: London | Page Views: 65

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About Me

Drummer and Percussionist

Known for his versatility, Matt Fisher is a sought after drummer and percussionist based in London. Matt has performed and collaborated with some of the UK’s most prominent musicians such as; Tina May, Jacqui Dankworth, Najma Akhtar, Nikki Illes, Steve Waterman, Anita Wardell and Christine Tobin. jWorking in a variety of styles from pop and rock, to jazz and orchestral, Matt has toured and performed around the world including; India, USA, Morocco, Mexico and across Europe. Matt is endorsed by Kandu Percussion. As well as having a busy performing schedule, Matt is teacher of drum kit at St. Paul’s School, and an examiner for Trinity College London. Publications Matt has written include a transcription book on the drummer Tony Williams (Tony Williams – So What 1964 Jazzwise Publications), featuring for the first time a full transcription and analysis of the drummer’s groundbreaking playing in the live version of ‘So What’ from the classic 1964 Miles Davis album; ‘Four and More’. Matt has contributed articles to the Modern Drummer Magazine (USA) and is a product reviewer for Rhythm Magazine (UK). Matt is always busy collaboratively and current projects include; Dee Byrne’s Entropi, a multi-percussion and piano duo with Australian pianist David Dower, and Rebecca Nash’s Atlas. The wide range of instruments covered across these projects reflects his versatility, including drum set, cajon, electronics, hand percussion, tabla and the one and only, washboard. Sounds textures and grooves, Matt always brings something interesting to the table. Matt received a First Class Honours degree at the Royal Welsh College of Music and Drama, and completed his Masters degree in Jazz Performance at Trinity College of Music, London. His drum teachers have included Martin France, Clark Tracey, Elliot Bennett, John Marshall, Peter Fairclough, Gene Calderazzo and Dave Wickins.

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This page was last updated on 2026-09-02.

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