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Juliet Ewing

Juliet Ewing- Vocalist- at home in Jazz or Cabaret rooms

About Me

Juliet Ewing describes herself as a former Broadway theater gal, unleashing her passion for jazz and cabaret in the NYC area She is jazz and cabaret singer whose career has graced both Broadway stages and international tours Growing up in the Midwest, Juliet was exposed to many genres of music as her parents were very involved in the classical world. Her mother, classical singer was a big fan of Broadway, Cabaret stars and classic Bossa Nova. Growing up in a household filled with music of all types, was a joy and a blessing. Juliet pursued her musical passion and graduated from The University of Michigan School of Music, Theatre and Dance. Arriving in New York. Juliet immediately started working in the theater community eventually touring with a Broadway show, appearing on Broadway and spending an extensive time touring Europe and the U.S. in leading roles Broadway musicals. With an extensive theatrical resume, Juliet worked all over the US in regional theaters sign dndacing her away through street shows like 'KISS ME KATE, FOOTLOOSE, 42ND STREET, CRAZY FOR YOU as well as concerts of the music of Johnny Mercer, Jerome Kern. She performed in the Irving Berlin theatrical concert “The Melody Lingers On” orgonating the role of “Juliet” in that show published by “The Rodgers and Hammerstein”company.

Juliet developed a particular passion for the music of George and Ira Gershwin, performing a leading role in their hit musical “Crazy for you.”’ For nearly 400 International performances, Juliet was immersed in the glory of the Gershwin tunes and developed a passion for the Great American Songbook. Continuing her run of Gershwin tunes, Juliet also had the pleasure of working in San Francisco at a gala celebrating Ira Gershwin and was able to delve into more obscure and interesting Gershwin tunes as well. This ”Gershwin Mania” led her to develop and perform her latest show “Rise Up Singing-The Music of George Gershwin” to sold out audiences in NYC.

In a glowing review, Bart Greenberg of Cabaret Scenes magazine praised “the golden voice and fine dramatic skill of diva Juliet Ewing.” He highlighted her unique approach to Gershwin's “Embraceable You,” noting, “It was so simple, so genuine. She purred the lyric 'come to mama, come to mama, do' in a way that was tender and erotic.” Greenberg also lauded her celebratory take on “Oh, Lady, Be Good,” which she refashioned as a love song about her relationship with New York: “'Oh please have some pity, I’m all alone in this big city.'” The wonderful review continues... ”Juliet's fresh and surprising interpretation of “But Not for Me” was another highlight, where, as Greenberg observed, “She brought an honest and surprising interpretation to the verse...with a lovely bit of snarkiness before the pathos of the chorus.” Her rendition of “How Long Has This Been Going On?” was reimagined as “the revenge tale of a betrayed woman,” complete with a new patter section that recalled ”the work of Peggy Lee (with a bit of Ann-Margret tossed in).”

September 2025 , Juliet will release her NEW album of all GERSHWIN songs entitled “Simply 'S Wonderful-The Magic of Gershwin” on the Lexicon Classics label. Produced by Tedd Firth with arrangements by Mr, Firth and Ron Drotos, With David Finck on Bass, Mark McLean on Drums, Influenced by the vibrant sounds of Sergio Mendes and Brazil '66, the legendary cabaret singer Bobby Short, and the great Ella Fitzgerald, Juliet's musical journey has led her to become a regular performer at prestigious venues such as: Jazz on Main in Mount Kisco, NY and Winnie's Jazz Bar in New York City, Prohibition NYC as well as numerous private events. Her performances are celebrated for their emotional depth and vocal mastery, earning her acclaim from audiences and critics alike.

With a career that effortlessly bridges the worlds of jazz and cabaret, Juliet Ewing continues to captivate and inspire audiences. For more information on her upcoming performances, visit www.julietewing.com.

Contact Me

Theme Song

My Jazz Story

I was first exposed to jazz listening to the epic Brazil '66 recordings I found dusty and neglected as a kid.I still am singing ONE NOTE SAMBA -with a side of Spanish Flea! Although not a traditional Jazz album (by some standards) it opened up a world beyond Broadway and Classical. Along with Chuck Mangione albums, I learned a bit about Jazz until I was freed from the chains of theater performing and able to express myself through exploring the classic jazz standards and a handful of Broadway tunes that are widely played by traditional jazz musicians. An entire world of improv and dramatic choices seemed to open up, and I continue to adore the journey!

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