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Jan Shapiro
Voice Educator and Jazz Singer Jan Shapiro has a new CD!
About Me
J A N S H A P I R O
Biography
Jan Shapiro is not only a great voice teacher—she’s been on the faculty of
Boston’s Berklee
College of Music for the past 28 years—but is also a world-class practitioner of the
art of
jazz singing. That fact is particularly evident on the exquisitely intimate Piano Bar
After
Hours, her fourth CD (and third for her own Singing Empress label), on which she
applies
her glowing, pitch-perfect three-octave pipes to a thoughtfully chosen program of
old
standards and pop songs of more recent vintage.
She knows more than a thing or two about piano bars. Before coming to Berklee
in 1985,
she spent more than a decade on the road singing with bands five nights a week
on the
hotel circuit, from St. Louis and Chicago to such points east as Atlanta, New York
City, and
Washington, DC. By the earlier Eighties, however, changes in the economy had
forced many
of the venues at which she worked to employ her with a full band only on
weekends. On
weeknights, it was just Shapiro and a pianist.
Six of Shapiro’s favorite piano players—Daniela Schachter, Bob Winter, Tim Ray,
Russell
Hoffman, John Harrison III, and Adriana Balic—took turns supporting her on Piano
Bar After
Hours. Ten of the 11 tracks are voice-and-piano collaborations. For the 1984 Al
Jarreau
song “Tell Me,” she and Balic were joined by Joey Blake on vocal bass and Bob
Stoloff on
vocal percussion. Both men have taught at Berklee and have worked with vocal
innovator
Bobby McFerrin.
“I had this vision of recording with different pianists that I’ve had a chance to
work with in
my lifetime,” Shapiro explains. “It took me a year to do due to the availability of
the studio
and when they were available.”
The set opens with a tender reading of Frank Loesser’s “On a Slow Boat to China,”
originally
a hit for Kay Kyser’s band in 1949. Shapiro takes it at a somewhat slower pace
than usual.
She and Daniela Schachter had never worked together before as a duo, but
Daniela worked
as an accompanist for the Berklee voice department while she was a Berklee
piano student
and later on staff.
The singer chose another Loesser composition, “If I Were a Bell” from Guys and
Dolls, for
the album because, she says, “I needed a more up-tempo tune.” John Harrison
III, who had
played on her second CD, 1998’s Not Commercial! , is the pianist on that selection
and on
Chick Corea and Neville Potter’s “Times Lie.”
“‘Oh, my God! That’s a hard one. Send me a lead sheet,’” Shapiro recalls Harrison
demanded when she first asked him to record “Times Lie” with her.
“The trick is to make the melody line sound like it’s simple,” she adds. “The
melodic line is
really rangy.” She and he managed to nail the song quite nicely.
Shapiro is supported by Bob Winter on “You’re Getting to Be a Habit with Me,” an
Al Dubin-
Harry Warren composition from the 1933 motion-picture musical Forty-Second
Street.
“He’s like his own one-man band,” Shapiro says of the pianist. “He’s the rhythm.
He’s the
melody. He’s everything.” Winter also plays on the Gershwin brothers’ too-seldom-
performed “Who Cares” from the 1931 musical Of Thee I Sing! Shapiro and Winter
had
previously worked together on a few occasions on live radio spots for WGBH.
Tim Ray was the pianist on Shapiro’s previous CD, 2007’s Back to Basics, and
returned to
join her for Irving Berlin’s “They Say It’s Wonderful” and Alfred Johnson and Rickie
Lee
Jones’s “Company” on the new one. The Berlin song is from the 1946 musical
Annie, Get
Your Gun and was a huge hit that year for both Frank Sinatra and Perry Como.
The other
one first appeared on Jones’s 1979 debut album.
“Right when I came to Berklee in the Eighties, a student brought me that song,”
Shapiro
says of “Company.” “I was so touched by the lyrics.”
The singer first recorded the Mark Winkler-Eddie Arkin tune “I Keep on Loving
You” with 10
musicians and backup singers on her debut album, 1998’s pop-oriented Read
Between the
Lines, produced by veteran arranger Richard Evans (with whom Shapiro is
currently writing
his autobiography). Shapiro and Schachter give the tune a much more intimate
reading on
Piano Bar After Hours.
The Horace Silver classic “Doodlin’” finds Shapiro in an especially playful mood,
scatting at
first before delivering Jon Hendricks’s clever lyrics, with her longtime friend
Russell
Hoffman adding deep blues feeling with his piano. Hoffman returns for “Lost Up in
Loving
You,” co-written and first recorded in 1975 by Shapiro’s friend Kenny Rankin. She
had
introduced herself to him at a Boston club two years before his death in 2009 and
talked
him into coming to Berklee to do a clinic. “There were just as many teachers there
as there
were students,” she says of the singer-songwriter’s clinic.
Born in St. Louis, Shapiro was raised 35 miles away in Festus, Missouri, a tiny
rural town
where her father and uncle had a scrap-iron business. Her mother was a singer
who also
played piano and timpani. “She could sight-read like mad, much better than me,”
Shapiro
says. “She enrolled me and my sister in dancing lessons when we were very
small, and was
a great musical influence on me because she would play and sing at home lots.
My sister
and brother and I loved to listen; we sang harmony together in the car and at
home.” Jan
studied voice, piano, and flute, taught herself guitar, made up her own songs,
played in the
school band, and sang in the choir.
Although she showed considerable musical prowess while growing up, her parents
wanted
Jan to have “something to fall back on.” She attended junior college for nursing
and
became a registered nurse, but all the while wanted to go back to school for
music. When
she did enroll at the St. Louis Institute of Music, she supported herself working
part-time
in the emergency room at a local hospital.
She also earned money singing on weekends, and after meeting a pianist who
would
become her husband, worked with him for six months at the Playboy Club in St.
Louis.
Extended engagements, mostly at hotels, followed in Chicago, Atlanta, and New
York City.
While performing five nights a week at a Hyatt Hotel in Washington, DC in 1975,
she
enrolled at Howard University and earned a music degree cum laude.
“I was trained in traditional classical technique,” Shapiro says of the influence of
her
classical music training at Howard. “It was invaluable, but since I’d always had
classical
training, I sometimes wondered if too much classical training would be difficult to
transfer
to pop and jazz styles. As it turned out, it was! If you have a Julie Andrews-type
voice, as I
do, how do you sing pop or jazz? It’s a different aspect of your instrument, and
the timbre
and delivery of singing jazz is completely different.”
“I don’t know what category to put me in,” she says of her unique style. “I’m not
like the
expected jazz singer, who would have a lower timbre and hold everything straight.
I don’t
sound just like anyone. I’m in the category of ‘freak of nature’ or something.”
Jan and her husband moved back to St. Louis in the late Seventies and had two
sons—
Aaron, born in 1979, and Adam, two years later. She continued performing all the
while. “I
sang six and sometimes seven nights a week, and I loved it,” she reflects.
Shapiro began doing vocal clinics and teaching voice at Southern Illinois
University and
Fonbonne College in St. Louis. She and her husband divorced in 1982, and three
years
later, thinking of her boys and looking for “something to fall back on,” she
accepted a full-
time teaching position at Berklee.
While teaching there, she also pursued a master’s degree at Cambridge College.
She took
special interest in jazz vocal history and in 1989 received an NEA grant to
research the
Boswell Sisters and other early jazz singers. In 2000, she and faculty members
Adriana
Balic and Lisa Thorson recorded an album of Boswell vocal arrangements titled
Boswellmania!
Shapiro served as chairwoman Berklee’s vocal department from 1997 to 2010.
Among the
many notable students who have passed through her classes over the years are
Balic,
Stacey Campbell, Paula Cole, Luciana Souza, and Tierney Sutton. Under Shapiro’s
direction,
the school’s vocal department tripled its size and emerged as the premier
contemporary
voice department in the country. She remains a full professor at Berklee and
currently
teaches a class in vocal history and has 25 private students.
“As a teacher,” she says, “my philosophy has been that ‘not everyone will be a
star, but
there are practical things you can learn about your instrument.’ I want to make
sure that
singers become empowered by good musicianship, as well as excellent vocal
craft.”
With Piano Bar After Hours, the professor again puts her philosophy to practice
through her
breathtaking combination of flawless technique and depth of feeling. •
Jan Shapiro: Piano Bar After Hours
(Singing Empress Records)
Street Date: April 9, 2013
www.janshapiro.com
Media Contact:
Terri Hinte
510-234-8781
[email protected]
Radio promotion-New World N Jazz
Neal [email protected]
Matt [email protected]
My Jazz Story
My influence was my Mom who sang and played piano . Both of my parents listened to 1940's Big Band Music. The rest is history!