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Brian Meyer

Watercolorist, Live Jazz Painter, Plein Air Poet, Author

About Me

Brian Meyer is a native San Diegan watercolorist and poet, best known for painting jazz musicians at local jazz clubs and concerts. You can hear the music in his painting. His primary focus is painting in the moment, from life, often described as live painting or urban sketching. Watercolors show every mistake; you cannot plan, to do this in public requires years of practice and the ability to improvise; it is very much like dancing.

He is a San Diego Watercolor Society member and has painted plein air with them since 2014. These artists represent the California School of Watercolor, a style known for its bold marks and big brushes, significantly influencing his style. In the last Del Mar Plein Air competition, he won 2nd place.

Brian has designed and hand-built a portable studio for painting outside; each iteration has evolved to allow him to paint better at night, in crowded clubs, and at live events, to take the traditional plein air approach inside where the people are.

In late 2014 Brian started attending the weekly jazz jam at the San Diego Museum of Art. Though he began just painting the scene, this became his primary practice over the years. Jazz isn't limited to music; it's a way of life, of thinking, of accepting mistakes as opportunities, of having the chops to perform without planning. The really interesting things in art, come not from the expected, but from the edges, from being off balance and outside your comfort zone. The way jazz itself is taught, is thru the jam, by daring and doing, by immersion. After eight years, jazz became the bones of his painting; his marks started to swing as if he were part of the band.

Brian is also a spoken word poet; he performs weekly at the Poets Underground. His first book Towers Between, was published in 2016.

He is currently studying Japanese Sumi-e Ink painting under Sensei Tatsuko Sandin, and much like Matsuo Basho writes poetry as part of the painting process.

A veteran who served in the US Army, in operation Desert Storm, he is still wearing the camo hat, being a soldier becomes part of you.

Brian paints at various live events in San Diego, ever seeking to capture the scene, the people, the essence, and the music. You can see him creating work in person every Monday and Tuesday at the Acid Vault Amplified Ale Works ( Downtown ). And he is still painting every week at the Wednesday Night Jazz Jam at the San Diego Museum of Art.

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My Jazz Story

I started going to a Jazz jam in 2014 because my teenage son begged me to, even though it was until midnight, he said I could paint. So we both started going together every Wednesday to Panama 66. I watched him build the courage to get up on stage, play his first "blues," and watched all the musicians guide him, encourage him, and gently correct him. I have been painting here every week since, going on eight years. I am described as a reporter; I see it as plein air, part of the Zen Sumi tradition, and figurative art, which I also study. It's about the essence I am capturing; I am not just painting things but the melody and the swing. To me, jazz is local, and I have yet to really learn who musicians are outside our local jam, outside of San Diego. But I also realized that this jam had changed my life. I started realizing I was learning how to paint just by watching these musicians play their different instruments and that the same concepts behind jazz apply to all the arts, to life itself. I also started learning how to perform spoken word, which is helping me better understand at a deeper level what I am painting. I realized that by going so long, I started seeing things on a scale of years. I see young and old musicians grow, and even established artists pick up new instruments or explore new styles ( some even started drawing and painting ). I have watched so many kids grow from just 10 and 11 year olds nervous about getting up, grow into accomplished musicians who are getting awards from downbeat, who go on to attend Julliard, the new school, Manhattan, and Berklee. The ethos of jazz is paying it forward, a debt we owe to Dizzy, Miles, Blakey, and Armstrong.

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