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Pity the poor bull fiddle. It's taken over from the tuba as the anchor of most jazz groups, yet when its turn comes to solo it's often seen as time to chat or go to the bathroom. It more than has the range of the saxophone or guitar, but the low tones demand greater concentration to follow. Still, two of its finest players have dedicated themselves to solo performance.
French bassist Joëlle Léandre has devoted much of her career to solo performance and Concerto Grosso is the latest in a line of unaccompanied releases. Like Derek Bailey (with whom she's recorded) or Cecil Taylor, Léandre has developed a language on her instrument that is dense and easily recognizable as her own. Her long bowing and percussive approach, coupled with her expressive vocalizing, are distinctive and deeply evocative. The Gasthof Loppem recordingreleased by the Belgian Jazz Halo labelcaptures two January 2005 sets across two discs (totaling 87 minutes). As with Bailey or Taylor, it's difficult to take her playing apart or to rank her performances against each other. She tendshere and in generaltoward shorter improvisations; the fourteen pieces here never break the ten-minute mark. The recording is close and personal and the performance beautiful. Leandre is an artist who can't be known without being heard solo, and Concerto Grosso is an excellent place to start.
Where Léandre's playing is rich and earthy, Mark Dresser has built his instrument into something almost otherworldly. With pickups embedded in the neck, his bass is loud and hyper-sensitive. Unveilreleased by the Portuguese Clean Feed labelis his first solo recording with the new wiring and it's strangely striking. Overtones and finger-hammers come through on level with the more usual playing, making it sound like a multitracked recordingor perhaps like being inside the big viol. Where this comes through most strongly is on the title track, remixed by Raz Mesinai (who also produced the disc). Oddly it's one of the simpler tracks on the album, as if to point out the richness that the wiring and Dresser's playing affords.
Tracks and Personnel
Tracks: CD1: Dans Le Sol; For Tony; Chant Du Camembert ... Fourré!; Relaps; Spirale; Le Sommeil d'Hercule; Le Viol Du Bourdon. CD2: Tara's Place; Hey, Oldies; Love; ... Col Legno, Stretto; Row Land's Length; Parlotte.
Personnel: Joëlle Léandre: bass.
Tracks: Lureal; Unveil; Clavuus; Undula; Kathrom; Cabalaba; Entwined; Pluto; For Scodanibbio; Lomus; Bacahaonne (for Israel "Cachao" Lopez).
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop. But nothing has touched my artistic sensiblities like JAZZ! Two years ago I moved to Sarasota, FL where I renewed my focus on my singing career and I was so impressed with the quality, quantity and generousity of talented jazz musicains in the Suncoast area. I soon partnered with piano legend Billy Marcus and his trio with Don Mopsick and Stephen Bucholtz. What a blast working with these guys and having them back me up on my first jaz album, Here's To You... which was just released on October 1st. I can't wait to see where the coming year brings me! Check out syniacarrolljazz.com