594

HaPzura Festival: Eddie Prevost & John Butcher with Peter Brotzmann Full Blast Trio

Eyal Hareuveni By

Sign in to view read count

Nothing of the former sets hinted at the coming savage eruption of Peter Brötzmann's unbridled trio, "Full Blast." Brötzmann gained a justified reputation as one of the loudest players on this planet, but this trio, one of his most active outfits in the last two years, raises the stakes as even louder—in fact, probably the loudest of all his outfits, past or present. Composed of "my best young friends," as Brötzmann called them, Swiss five-string electric bassist Marino Pliakas and fellow Swiss—the Berlin-based drummer Michael Wertmüller—both a generation younger than Brötzmann and both sounding and appearing to be well- versed in the more aspiring directions of metal music (see his recent self-titled debut album on the German label Jazzwerkstatt).

From the first violent riffs of Pliakas on the electric bass and the fervent barrages of Wertmüller on the drums it was clear that this trio lives by its name. The two erected a resistant, defiant wall of sound for Brötzmann who, undiscouraged, jumped right in and screamed with the bass clarinet, totally absorbed by the masses of sound and clearly enjoying it. The tsunami of sounds engulfed the enthusiastic, excited audience, especially when Brötzmann pushed gears and began to play the louder alto sax and his louder- still tenor sax, sometimes stopping for a few seconds to catch his breath or to let Pliakas and Wertmüller find new defensive positions before his next assault, quite often including in his voluminous weaponry short quotes from musicals! There was nothing to do but surrender to this amazing performance, expressing the artist's total, uncompromising belief in the sheer physical power of sound to transform the listener—tons of deafening yet paradoxically blissful sounds that keep me smiling even now when I think about this exceptional trio. "Will the music ever end?" Not when played at this intensity!

Photo Credit
Eyal Hareuveni


Tags

comments powered by Disqus

More Articles

Read Herbie Hancock at the Gaillard Center Music Hall Live Reviews Herbie Hancock at the Gaillard Center Music Hall
by Rob Rosenblum
Published: October 23, 2017
Read Redwood City Salsa Festival 2017 Live Reviews Redwood City Salsa Festival 2017
by Walter Atkins
Published: October 17, 2017
Read AJAZZGO Festival in Cali, Colombia Live Reviews AJAZZGO Festival in Cali, Colombia
by Mark Holston
Published: October 13, 2017
Read "Mat Maneri and Tanya Kalmanovitch at Korzo" Live Reviews Mat Maneri and Tanya Kalmanovitch at Korzo
by Tyran Grillo
Published: August 18, 2017
Read "Keystone Korner 45th Anniversary Celebration" Live Reviews Keystone Korner 45th Anniversary Celebration
by Walter Atkins
Published: August 6, 2017
Read "Sue Rynhart at The Cresent Arts Centre" Live Reviews Sue Rynhart at The Cresent Arts Centre
by Ian Patterson
Published: September 15, 2017
Read "Stockholm Jazz Festival 2016" Live Reviews Stockholm Jazz Festival 2016
by John Ephland
Published: November 14, 2016
Read "Garana Jazz Festival 2017" Live Reviews Garana Jazz Festival 2017
by Nenad Georgievski
Published: July 20, 2017

Sponsor: ECM Records | BUY IT!  

Support our sponsor

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.