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5
Album Review

Various Artists: Excavated Shellac: An Alternate History of the World's Music

Read "Excavated Shellac: An Alternate History of the World's Music" reviewed by Jakob Baekgaard


Every audio medium has its champions from CD oldies to tape hipsters and lossless purists, but those who like to play big discs with a needle instead of a laser should not be lumped into such a vulgar category as vinyl revivalists. It's both a question of material and size, and true afficionados prefer the fragile format of 78s made of shellac. One of them is Jonathan Ward, who runs the sound blog Excavated Shellac, posting rare ...

2
Album Review

Henry C. Gilliland & A.C. Robertson: The Year of Jubilo: 78 rpm recordings of Songs from the Civil War

Read "The Year of Jubilo: 78 rpm recordings of Songs from the Civil War" reviewed by C. Michael Bailey


This is the tale of a record collector, Joe Bussard. Bussard boasts a collection of 78 rmp shellacs numbering in the 10,000s and including a good many of the pre-WWII Paramount blues and country sides. He is the curator of “old-timey" music. Bussard has previously released re-recordings of his collection under the guise of Down in the Basement: Joe Bussard's Treasure Trove of Vintage 78s 1926-1937 (Old Hat Records, 2003). Bussard has now joined forces with Lance Ledbetter's Dust-to-Digital label ...

5
Extended Analysis

Greek Rhapsody: Instrumental Music From Greece 1905-1956

Read "Greek Rhapsody: Instrumental Music From Greece 1905-1956" reviewed by Skip Heller


A couple years back, Tompkins Square issued an unforgettable box set called To What Strange Place: The Music of the Ottoman-American Diaspora, 1916-1929, which collected a type of Eastern music that had gone unanthologized, largely because it came from places long since gone from the world map, played on instruments to which most Westerners have never paid much attention. Name three oud players. I dare you.Greek Rhapsody (Dust-To-Digital) surveys rebetika, the international style prominent among Greeks throughout the ...


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