970

Art of Jazz Celebration in Toronto

By

Sign in to view read count
Calle 54. The Kansas City-born vocalist Kevin Mahogany's towering tenor voice was a little weary from his long layover on the tarmac in the States, but that didn't stop him from delivering a no- nonsense lesson in bluesology with his trio, which included a Charlie Parker tune and Nat King Cole's "Route 66.



The next night featured Footprints: A Journey in Dance and Drums; a three-part show narrated by former National Ballet of Canada star Veronica Tennant and highlighting the relationship between jazz and dances from Africa, Cuba, and Harlem. Representing the Motherland was the bubbly vocalist/dancer Muna Mingole, the "Blue Flame of Cameroon. Her infectious call-and-response vocals, along with a spirited, booty shaking, dance-off with several members of the audience, compensated for what she may have lacked in specific references to any authentically indigenous tribal style.

Authenticity reigned supreme when the dreadlocked, muscular, Afro-Cuban dancer Insua delivered a powerful praise-performance offering to Oshun, Shango, Obaltala and other gods of the Santeria religion. Backed by four percussionists of the hourglass-shaped bata drums and led by Bata master Roman Oqduardo, the gold-and-red-clad Insua realized the Yoruba-born, Caribbean-bred choreography. He traversed the area extending from the audience to the stage, then expertly navigated through infinite variations of the rumba, complete with an intoxicating duet with his turbaned female partner. But it was irrepressible Jimmy Slyde who brought down the house with his decades-honed tap dances, augmented and mirrored by his protégé Rocky Mendez, and supported by Detroit drummer Leroy Williams. With his plaid hat, yellow blazer and brown slacks, the eighty-year-old Slyde, truly one of the "last of the hoofers, wowed the crowd with his so-advanced-it's-simple steps, mellowed and perfected by age to minimal elegance. He and Williams engaged in a "percussion discussion that took on bebop repercussions, extended and amplified when bebop pianist Barry Harris—arguably the greatest jazz teacher alive—sat in and delivered sweet and succulent renditions of the Duke Ellington and Juan Tizol hits "Come Sunday and "Caravan.



Trumpeter/flugelhornist and Toronto homeboy Kenny Wheeler's tribute at the Cellar was supported by bassist Dave Holland's rock-steady basslines, with multi-instrumentalist Don Thompson on piano and vibes and former Bill Evans percussionist, Joe La Barbera, supplying in-the-pocket drumming. And that was merely the support for the frontline activity of alto saxophonist and Birth of the Cool alumnus Lee Konitz's angular saxlines and the amazing and underrated British vocalist Norma Winstone's agile and quasi-operatic vocals. Marred only by trombonist Bob Brookmeyer's no-show, due to chronic fatigue syndrome, Wheeler's buttery flugelhorn forays fronted a pleasing program of mostly his compositions, including the waltzy rendition of "Smiles Remembered and the Latinesque "Foxy Trot, laced with Winstone's sinewy wordless vocal, though Konitz's performance on the 2.0 upgrade of the standard "Invitation and a tune based on "What is This Thing Called Love were equally satisfying. But it was Wheeler's night, as he skillfully took his avant-oriented music from the sixties and seventies all the way to the change of the twenty-first century.



Another superstar from Wheeler's era, the prolific composer/arranger Carla Bley—along with her partner, bassist Steve Swallow—conducted a spirited AOJ Big Band at the outdoor Pure Spirits Stage—which featured tuba virtuoso and baritone saxophonist Howard Johnson along with Bunnett on flute supplemented by a percussionist and Gary Valiente's muscular trombone—through a mostly Latin set which featured some favorites from her book, from the peppery "Los Concineros to the mariachi-mooded "Tijuana Chapter, capped by a slow-funked encore of Charles Mingus' "Goodbye Pork Pie Hat.


Tags

comments powered by Disqus

More Articles

Read TD Ottawa Jazz Festival 2017 Live Reviews TD Ottawa Jazz Festival 2017
by John Kelman
Published: June 29, 2017
Read Jim Beard And Jon Herington At The Kennett Flash Live Reviews Jim Beard And Jon Herington At The Kennett Flash
by Mike Jacobs
Published: June 29, 2017
Read Suoni Per Il Popolo 2017 Live Reviews Suoni Per Il Popolo 2017
by Mike Chamberlain
Published: June 28, 2017
Read Lance Canales & The Flood At Biscuits & Blues Live Reviews Lance Canales & The Flood At Biscuits & Blues
by Walter Atkins
Published: June 27, 2017
Read Chris Oatts Quintet at Chris’ Jazz Cafe Live Reviews Chris Oatts Quintet at Chris’ Jazz Cafe
by Victor L. Schermer
Published: June 26, 2017
Read "Suoni Per Il Popolo 2016" Live Reviews Suoni Per Il Popolo 2016
by Mike Chamberlain
Published: July 1, 2016
Read "Mary Ellen Desmond: Comfort and Joy Concert 2016" Live Reviews Mary Ellen Desmond: Comfort and Joy Concert 2016
by Victor L. Schermer
Published: December 17, 2016
Read "Yes at the NYCB Theatre at Westbury" Live Reviews Yes at the NYCB Theatre at Westbury
by Mike Perciaccante
Published: August 13, 2016
Read "Trevor Anderies Quintet at Fresh Santa Fe" Live Reviews Trevor Anderies Quintet at Fresh Santa Fe
by Dave Wayne
Published: October 31, 2016

Smart Advertising!

Musician? Boost your visibility at All About Jazz and drive traffic to your website with our Premium Profile service.