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History of Jazz Timeline: 1922

Joe "King" Oliver's Creole Jazz Band is in Chicago at the Lincoln Gardens. Oliver sends for Armstrong who is still in New Orleans.
Armstrong goes to Chicago on August 8 to join King Oliver's band. Armstrong is afraid to play because Oliver sounds so good.
Duke Ellington goes to New York City with Sonny Greer and banjo player Elmer Snowden. Duke meets his idol James P. Johnson as well as Fats Waller and Willie "The Lion" Smith.
Bix Beiderbecke is expelled from the Lake Forest Academy.
The original Austin High Gang begins to frequent the Friar's Inn in Chicago. Currently, gang members include Frank Teschemacher (clarinet), Jimmy McPartland (cornet), Richard McPartland (guitar and banjo) and Lawrence "Bud" Freeman (sax). Others such as Gene Krupa (drums) will join later.
At this point, Coleman Hawkins is a well schooled musician, perhaps the best in Jazz. He is asked to join Mamie Smith's Jazz Hounds. This group will take him to New York where Fletcher Henderson will eventually hire him.
Alto saxophonist Benny Carter hears Frank Trumbauer on a recording by Chicago's Benson Orchestra. Carter will later claim Trumbauer as a major influence. Since Lester Young also does this, that makes two major Jazz sax players who claim to owe a lot to Trumbauer.
Django Reinhardt's mother gives him a banjo, teaches him the rudiments and within weeks, he is playing cafes with his father Jean Vees.
Fats Waller makes his first of hundreds of piano rolls.
Innovative bassist, composer and bandleader Charles Mingus is born in Nogales, Arizona on April 22. Charles will grow up in Watts and will be the most well-rounded musician in Jazz by the Modal and Free Jazz phases.
Woody Herman is currently nine years old and a child vaudeville star who sings and dances. He begins playing alto and soprano saxophones (he took up the clarinet later).
Carmen McRae is born in New York, N.Y. on April 8.
Vocalese singer King Pleasure is born in Oakdale, Tennessee on March 24.
The Original Dixieland Jazz Band is now playing commercial music such as Fox Trots. They've sold out.
Paul Whiteman controls twenty-eight bands on the east coast. In this year, he will gross over $1,000,000 (a tidy sum for producing pseudo-Jazz in the early 20's).

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