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Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

Marcin Olak

Guitarist, performer, composer.

About Me

Marcin Olak is one the most interesting Polish jazz guitar players. He is one of the few who can play modern jazz on classical and acoustic guitars, using the specific sound and articulation possibilities of those instruments; sometimes he also plays electric guitar. He moves between various styles: jazz, classical and contemporary, from fully composed pieces to improvised music. Marcin Olak performs solo and with various bands: from free- jazz combos, through classical guitar ensembles, to the symphony orchestra. His own project, Marcin Olak Trio, is particularly noteworthy. Marcin Olak played at some of the most important Polish guitar and jazz festivals, such as: Warsaw Summer Jazz Days (2008), Warsaw Autumn (2007, 2009), Jazz na Buduku (2006, 2008), Jazz w Ruinach (2007), Guitar City (2005, 2008), Jazz Juniors (2005), Warsaw Underground Jazz (2003) and many more. The Warsaw Guitar Festival in 2008 seems particularly worth mentioning, as Marcin’s own concerto for jazz guitar trio and orchestra was performed there for the first time. Marcin played on the most important stages in Poland, including the National Philharmonic Hall in Warsaw and the Witold Lutosławski Concert Studio of the Polish Radio. He has recorded for Polish radio and TV on numerous occasions. He doesn’t avoid jazz clubs though. Marcin graduated from the Fryderyk Chopin Academy of Music in Warsaw (PL) in classical guitar. He took part in numerous master classes with classical guitarists (like David Russell and Jorge Cardoso) and jazz performers (like Ralph Towner and Scott Henderson). Marcin’s musical skills have been appreciated by Polish guitarists. He has been asked to write workshops on jazz improvisation and harmony for one of the most important Polish guitar magazines, Top Guitar.

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