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Dr. Judith Schlesinger

Author of "The Insanity Hoax: Exposing the myth of the mad genius," Dr. J combines her love of jazz and her fascination with psychology, focusing on where they overlap: in celebrating the individual spirit.

About Me

Starting with the latest news and working backward: I've recently begun a jazz and interview show on our local Pawling public station, WPWL, 107.3.FM. "Dr. J's Jazz Emporium" is one hour, live, focusing on one guest at a time; we play his/her music and talk about it, or anything else that comes up. It's relaxed, fun and informative. Guests so far have included Gene Bertoncini, Chris Brubeck, David Finck, Bill Mays, Sean Smith, Paulinho Garcia, Kim Nazarian, John Clayton, Peter Eldridge, Taylor Eigsti, Jay Leonhart, Lorraine Feather, Lynn Seaton, Marlena Shaw, and uber-publicist Ann Braithwaite. The show is booked into April of 2019 as more musicians get wind of it. The free publicity is priceless, since the show airs live, then repeats on the station (and its Website) four more times, and is also archived on mixcloud. I'm delighted to offer this opportunity to support the music and the people who make it, as I have happily done for decades by supplying AAJ content for free. NOTE: Any musician interested in being a guest should contact me through AAJ. I'm also in the midst of updating my 2012 book, "The Insanity Hoax: Exposing the Myth of the Mad Genius." A rare breed of serious scholarship and humor, "Hoax" examines the toxic notion that great creativity must be linked to some kind of mental disorder, paying special attention to how creativity works with jazz musicians. The book describes how the myth began with a misunderstanding of Plato and traveled through the centuries to now, where is a vague public notion that it's been "scientifically" proved. Hogwash! Despite being a self-published book, with no academic affiliation or publisher PR machine or even any social media, news about The Insanity Hoax reached the Van Gogh Museum in Amsterdam. In the summer of 2016 they invited me to join a group of 30 experts who were to determine whether Vincent was "crazy"—and if so, what kind. So they flew me over there for the meeting, which was fascinating (the final consensus: no, he wasn't). I'm also tickled to report that "Hoax" has been a textbook at both Temple University and the Royal College of Music, in London. I've gotten some swell reviews and done several NPR interviews, author lectures and podcasts. There was even a moment on the HuffPo Live, which tickled me before I understood that they will interview virtually any breathing entity about anything. Best of all, I was invited to contribute to a psych textbook from Cambridge University Press: "Creativity and Mental Illness" (2014). Out of 17 international experts on the subject, it seems I'm almost the only one who doesn't believe that people need to be really crazy to be really creative. In fact, the summary chapter states "we have to agreed with Schlesinger that the myth has been seriously oversold." And according to the editor of this definitive text, largely because of my writings (not just the book), the tide has turned in the field of psychology, which no longer takes the myth seriously. Huzzah! Another central passion is helping underfamous artists get the attention they deserve. In 2011, I co-executive-produced the CD "Trust" for the Sean Smith Quartet [superb bassist/composer Sean, with John Hart (guitar), John Ellis (sax), and Russ Meissner (drums).] In 2014, I worked with Brazilian guitarist/vocalist Paulinho Garcia to produce "Beautiful Love." More are in the works. And now, the backstory—i.e., some things I've done and been: earned a PhD in psychology from NYU, toiled as therapist, school shrink, crisis counselor, university professor, and college administrator. Authored a biography of Humphrey Bogart (Metro Books) and the psychology chapter for Stephen Sondheim: A Casebook (Garland Press). I've published numerous book reviews and invited ramblings about psychology, education, and general cultural idiocy for The Baltimore Sun, back when it had a real opinion and books section. I am/have been a writer, consultant, and/or editorial board member for a number of psychology journals, including the Journal of Creative Behavior. I was also the humor columnist for "Topia," a glossy national magazine about artists that lasted three whole years before going belly-up. Other work has appeared in The American Psychologist, The National Psychologist, The Counseling Psychologist, The British Journal of Psychiatry, the Journal of Ethical Human Psychology and Psychiatry, The Psychology of Aesthetics, Creativity and the Arts, The Skeptical Inquirer, and the Journal of Polymorphous Perversity (no kidding - my article called "Free the DSM IV" was even re-published in "More Oral Sadism and the Vegetarian Personality" (Brunner/Mazel). My music writing has been in the All Music Guide, The Jazz Institute of Chicago, The Sondheim Review, The Jazzletter,, the Encyclopedia of American Studies, and of course the best of all:, where I'm a senior reviewer and creator of two columns: Shrinktunes and Nite & Disk. I also have a column on The Creativity Post called "The mad genius and other follies." I do liner notes as well, but selectively, in line with my policy of never doing bad or even blah reviews; if I don't genuinely love a CD, I just won't cover it. Let someone else pour negative ink on somebody's dream. Artists whose CDs I've "linered" include Don Friedman, Shelly Berg, and Frank Vignola. Finally, I'm also a musician. Trained as a classical pianist, not a bad folk guitarist in my hippie days, I spent many years doing avocational jazz singing and drumming -- even got paid for singing and playing djembe at a wedding. For three years, I was the "chick singer" in the JS Fourtet, until I disbanded it. I also love traveling, gardening, long walks on winter beaches -- oops, wrong site!

My Jazz Story

Published on: 2018-02-06

I love jazz because when it's done right, there is no music more personal, joyful and engaging. I was first exposed to jazz by Stan Getz and Joao Gilberto in 1963-4.

My House Concert Story

Hosted two house concerts with Gene Bertoncini playing solo. My house is small, and far from so-called "civilization," so the guest lists only had about 14 people each. But they were chosen well: they were mesmerized by his playing, and enjoyed his jokes (!) and warm, relaxed personality. It was catered by the local Italian deli. Not a pretentious afternoon; very family-like.

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