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Jazz Articles about James Shipp
Remy Le Boeuf: Architecture of Storms
by Jack Bowers
It's hard to become bored or complacent when listening to Architecture of Storms, alto saxophonist Remy Le Boeuf's second album as leader of the twenty-member Assembly of Shadows orchestra. Every song is quite different from the others, and every one has its moments of shapeliness and charm. Le Boeuf arranged every number and composed all but Justin Vernon's Minnesota, WI" and the album's nameplate, which he co-wrote with poet Sara Pirkle, he asserts, on a brooding stormy ...
read moreMiho Hazama M_Unit: Beyond Orbits
by Angelo Leonardi
Uno degli eventi al Monterey Jazz Festival del 2021 è stato il concerto dell'M_Unit di Miho Hazama, la giovane compositrice e bandleader giapponese che s'è imposta tra le figure più innovative della sua generazione. In quell'occasione Hazama ha presentato la suite in tre movimenti Exoplanet" che--incisa poi in studio--costituisce il fulcro del disco appena pubblicato dalla Edition Records. Chi conosce i suoi lavori di questi anni, sa quanto la scrittura della bandleader risulti coinvolgente per l'abilità di ...
read moreMiho Hazama's M_Unit: Beyond Orbits
by Chris May
Beyond Orbits is the fêted composer and conductor Miho Hazama's fourth album with M_Unit. She founded the band in 2012, two years after moving from Tokyo to New York and while she was still studying for a masters in jazz composition at the Manhattan School of Music. Hazama released M_Unit's first album in 2013. The band's third, Dancer In Nowhere (Sunnyside, 2019), was nominated for a Grammy. Among her other achievements, Hazama was in 2019 appointed chief ...
read moreNadje Noordhuis + James Shipp: Multitudes
by Dan Bilawsky
Trumpeter Nadje Noordhuis and percussionist/synthesist James Shipp have proven to be a most compelling pair. Their Indigo (Little Mystery, 2017)--a duo album built on a shared outlook and fellow feeling--was a faithful introduction to the sound of simpatico souls in musical motion. And this eagerly awaited follow-up, while playing true to this continuing story of two, is largely about the art of expansion. Eager to take their partnership to a new place by broadening design concepts through an extended creative ...
read moreAnat Cohen: Quartetinho
by Mike Jurkovic
As it has manifested on world stages and such noteworthy releases as Luminosa and Claroscuro (Anzic Records, 2015, 2012), Grammy-nominated clarinetist, composer & bandleader Anat Cohen's deep fascination and delight with world music, especially Brazil's hot melding of South African rhythms, cajun swing, and European dance, makes Quartetinhoan irrepressible listen. Infused and bursting with a multitude of melody left, right, and center, the charismatic Cohen takes a few steps back from her masterful tentet outing Triple Helix(Anzic, 2019) ...
read moreRemy Le Boeuf's Assembly of Shadows: Architecture of Storms
by Angelo Leonardi
Remy Le Boeuf è uno dei nomi emergenti nell'ambito dell'arrangiamento e della conduzione orchestrale. Dopo il sorprendente Assembly of Shadows del 2019, il sassofonista e bandleader californiano (a New York dal 2004) torna con la sua orchestra irrobustita nel numero e nella qualità dei singoli componenti. Tra i nuovi ingressi troviamo in particolare il trombettista Mike Rodriguez e il sassofonista Dayna Stephens, che caratterizzano un paio di brani, anche se il lavoro di Le Boeuf è prettamente ...
read moreKate McGarry + Keith Ganz Ensemble: What to Wear in the Dark
by C. Michael Bailey
Being taken for granted is the greatest tribute and worst slight to any artist. Kate McGarry has made music that brilliantly colors outside the lines since her release, Show Me (Palmetto Records) in 2003 (there was a 1992 standards release, Easy To Love (Vital Records) that is out-of-print). Her career has provided five provocatively thoughtful and inventive recordings between that release and 2018's The Subject Tonight Is Love (Binxtown Records). Listeners have come to expect something a little different from ...
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