Home » Jazz Articles » Album Review » Eliane Elias: Around the City

399

Eliane Elias: Around the City

By

Sign in to view read count
Eliane Elias: Around the City
Eliane Elias is comfortable in her own skin. The pianist/composer learned to play piano in her native Sao Paulo at the age of seven and began transcribing jazz recordings by the age of twelve. For years she worked to introduce herself through her music, relying on her natural proclivity for infusing the music she loves with her cultural self.

Elias has maintained an unyielding commitment as a pianist/composer who just so happens to be a Brazilian female, in an industry that more readily packages its female talent as attractive women with marginal abilities—and its Latin American cohort as Latin jazz musicians, regardless of their musical stylings. With more than seventeen albums as a leader to her credit (she has also recorded several vocal albums, including 2004's much celebrated Dreamer), she has managed to broaden her audience simply by pursuing music in new ways.

Elias is creative in her approach on Around the City, where she uses the music to illustrate how the makeup of a city can be a metaphor for life. These songs represent perseverance and forgiveness, fun times and celebration, and love—just as cities include business districts, working-class neighborhoods and all-night party spots. In addition to original works, the disc includes revamped covers of popular hits like Tito Puente's "Oye Como Va, Beck's "Tropicalia, and Bob Marley's "Jammin'. The leader gets some help from songwriters Lauren Christy and Lester Mendez and co-producer Andres Levin, the brainchild behind the Latin/funk hop group Yerba Buena.

The music (coupled with Elias' unique vocals) is executed masterfully. "Running is flavored with mid-tempo Latin grooves that on their own could cause listeners to absently sway along to the beat. Add Elias's vocals and the unconscious sway becomes something of a conscious gesture of being. Bob Marley's easygoing hit song "Jammin' has been given a high-energy makeover, but Elias and Levin show the reggae anthem proper respect through their impeccable musicianship and production, making it a welcome tribute instead of a bad karaoke cover.

Other standout performances are Tito Puente's "Oye Como Va, where the vocals add a sexy, feel-good vibe, and "Segredos (Secrets) and "We're So Good, both songs about love. The music and the lyrics work in a call and response fashion, and the lyrics become sexier as a result of the music's direction.

Around the City is one of the more ambitious works of 2006, and Elias has managed to deliver. Who knew that life in the city could sound so good?

Track Listing

Running; Oye Como Va; Around the City; Jammin'; Segredos (Secrets); We're So Good; Tropicalia; Slide Show; A Vizinha Do Ado (the next door neighbor); Save Your Love For Me; Chiclete Com Banana; Another Day; Segredos (Secrets) part 2.

Personnel

Eliane Elias
piano and vocals

Eliane Elias: vocals, piano, Fender Rhodes, Wurlitzer, Hammond B3 organ, synths; Marc Johnson: bass; Oscar Castro-Neves and Vicente Amigo: acoustic guitar; Adam Rodgers and Andres Levin: electric guitar; Lester Mendez: instrumentation; Randy Brecker: trumpet; Dave Valentin: flute; Peter Scherer: synths; Paulo Braga and Gene Lake: drums; Paulinho da Costa, Gilmar Gomes, Pedro Martinez and Pira

Album information

Title: Around The City | Year Released: 2006 | Record Label: RCA Victor


Next >
New Tones

Comments

Tags

Concerts

Jun 14 Fri
Jun 20 Thu

For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Silent, Listening
Fred Hersch
Riley
Riley Mulherkar
3 Works For Strings
Giusto Chamber Orchestra
My Multiverse
Pearring Sound

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.