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W.C. Handy
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William Christopher Handy, known as “the father of the blues,” was the first person to notate and publish blues songs, and is recognized for integrating blues elements into ragtime, which was a seminal form of jazz, changing the course of popular music. He wrote over 60 blues, spirituals, and popular tunes, including the perennial blues standard St. Louis Blues. W.C. Handy was born in Florence, Alabama, November 16, 1873, the son of former slaves. His first instrument was the coronet, and he advanced from lessons in a barbershop to studying classical music. While still a teenager Handy began teaching school but left for better paying work in a factory
A Jazz Reading List
by Karl Ackermann
From 2015 through 2020, a personal research project included my reading dozens of jazz books and related media. They included mainstays such as the massive reference The Penguin Guide to Jazz Recordings (Penguin Books, 2006), Ben Ratliff's excellent interview collection The Jazz Ear: Conversations Over Music (Times Books, 2008), the off-shore perspectives of Circular Breathing: The ...
Glenn Crytzer: The Songbook Sessions (Volume 1, 1920)
by Kyle Simpler
Peter DeVries once wrote that “nostalgia ain't what it used to be," and this is certainly true when it comes to music. The greater the time distance, the harder it is to maintain authenticity. As a result, recreating music from the past might come across as something gimmicky or disingenuous with some performers. However, this is ...
The Black Entrepreneurs of Early Jazz
by Karl Ackermann
Preamble: In 2020, I published A Map of Jazz: Crossroads of Music and Human Rights (WS Publishing), a book that looks at the culture of jazz on a timeline with cultures of the world. At more than 500 pages, the book is incomplete by necessity; there is no well-marked path, and the history is sometimes nebulous. ...
Larry Goldings & John Sneider: Chinwag
by Glenn Astarita
Titled Chinwag (a long and pleasant conversation between friends), this album is more than just a musical tête-à-tête; it is a melodic rendezvous between two old pals, keyboardist Larry Goldings and trumpeter John Sneider. These guys go way back--think of the '90s New York music scene, club-hopping at Augie's and the Village Gate, soaking up bebop ...
Queer Blues: The Hidden Figures Of Early Blues Music
by Ian Patterson
Queer Blues: The Hidden Figures Of Early Blues Music Darryl W. Bullock 352 Pages ISBN: 978-1-9131-7252-7 Omnibus Press 2023 The blues is ripe with legends and myths, not least the oft-touted claim that W.C. Handy was the father of the blues. But as Darryl. W. Bullock tells it, there ...
Owen Broder: Hodges: Front and Center: Vol. Two
by Pierre Giroux
Owen Broder's Hodges : Front and Center Vol.Two is a respectful yet refreshing tribute to Johnny Hodges, a saxophonist with an iconic sound while injecting a contemporary vitality into the mix. Hodges' influence looms large throughout the album, guiding Broder's approach to the music. In this quintet's musical journey, Broder, on both alto and baritone saxophone, ...
Jason Moran: From the Dancehall to the Battlefield
by Neri Pollastri
Uscito il primo gennaio 2023 su Bandcamp, questo album di Jason Moran, per il suo concept, per la varietà e la ricchezza, per il modo in cui fonde radici storiche e modernità è probabilmente da considerare il disco dell'anno. Il suggestivo titolo From the Dancehall to the Battlefield sintetizza la storia del mitico musicista ...
Interviews with Daniel Steigleder, Wellington Bullings, and Otis Taylor
by Steven Roby
This episode of Backstage Jazz features interviews with German saxophonist Daniel Steigleder, neo-soul singer Wellington Bullings, and international blues artist Otis Taylor.Born in Southern Germany, saxophonist Daniel Steigleder has already left his mark on the German music scene and has quickly become one of the most in-demand live and session musicians of his generation. ...
Jean-Luc Ponty: Imaginary Voyages, Part 1
by Peter Rubie
Part 1 | Part 2 Jazz is an art form that has been a singular hothouse of musical talent over the decades. There are, and have been, lots of not just great but brilliant players. But perhaps not unsurprisingly, there have been far fewer jazz originals. I mean by that, musicians whose playing has ...
