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Teis Semey
Born:
Teis Semey (1993) was born in rural Denmark and found his interest in music at the age of 7. After shuffling between playing piano and playing guitar, he settled on guitar. Moving to Sweden in 2007, he started studying music in a specialised programme for young jazz talents in the city Malmö. After a brief year in Stockholm, studying jazz guitar and classical composition, classical piano and jazz guitar, he moved to Amsterdam, earning a bachelors and masters degree in jazz guitar in the Conservatory of Amsterdam, studying under Jesse van Ruller, Reinier Baas, Maarten vd Grinten, Matiss Cudars, George Dumitriu and Martijn van Iterson. Teis Semey draws influences from all around: the works of Shostakovich, Stravinsky, Ravel as well as Wayne Shorter, Arctic Monkeys, Nirvana, Audioslave, Kurt Rosenwinkel and John Coltrane. Teis Semey has released one CD as a band leader; “Where The Fence is the Highest” (2019, TRPTK) along with “Pull a String, a Puppet Moves” with PULL (2015, Loumi Records) and “Rotterdam Suite” by The New Rotterdam Jazz Orchestra (2019). Teis has performed in venues such as Blue Whale (Los Angeles) and Bimhuis (Netherlands)
Human First
By Teus Nobel
Label: Nobel Music / PIAS
Released: 2023
Track listing: Human First; When Riku Saw the Colors Dancing, Part I; When Riku Saw the Colors Dancing, Part II
Südtirol Jazzfestival Alto Adige 2023
by Libero Farnè
Südtirol Jazzfestival Alto Adige 2023 Bolzano e provincia Varie sedi 30.06--09.07.2023 Superati i quarant'anni di vita, il festival bolzanino è giunto ad un nuovo giro di boa. Dopo una casuale anteprima nel 1982 su un'idea di Nicola Ciardi, con un memorabile concerto del trio Codona all'interno di Bolzano Estate, fu l'anno ...
New Music in an Anxious Time: Teis Semey, Peggy Lee and Philipp Gropper
by Mark Werlin
Historians of jazz identify the African-American civil rights struggle circa 1945-1965 as the locus for the most active involvement of jazz music in expressions of social and political protest. One of the earliest recorded instances of explicit political protest in jazz, “Strange Fruit," was refused by Decca, singer Billie Holiday's record label, for fear of reprisals ...
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