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La Jazz Poetry di Jayne Cortez
by Maurizio Zerbo
Articolo originariamente pubblicato nel marzo 2003 e ora riproposto in occasione del mese dedicato al contributo femminile al jazz Per la sua spiccata componente di oralità, la Jazz Poetry è probabilmente l'espressione che meglio di altre connota—insieme al jazz stesso—l'esperienza artistica afroamericana del '900, in quanto trait d'union fra improvvisazione e composizione scritta.
The Rebel Café: Sex, Race and Politics in Cold War America's Nightclub Underground
by Duncan Heining
The Rebel Café: Sex, Race and Politics in Cold War America's Nightclub Underground Stephen R. Duncan 336 Pages ISBN: # 1421426331 John Hopkins University Press 2018 Stephen R. Duncan's The Rebel Café is both a voyage of rediscovery and a forensic re-examination of an important period in American cultural ...
Pete Brown: White Rooms & Imaginary Westerns, Part 1
by Duncan Heining
Part 1 | Part 2 Poet, lyricist, rock musician, producer and scriptwriter—Pete Brown has covered a lot of bases in his six decades in music and literature. His career embodies that era that began with the Beatles' “Love Me Do" in October 1962 and ended in January 1969 with the band playing live on ...
Benjamin Boone: The Poetry of Jazz
by Duncan Heining
Lenny Bruce might have skewered it with his skit, “Psychopathia Sexualis." Mike Myers' mildly misogynist poet might have parodied it in the movie I Married an Axe Murderer (1993). It has been dismissed as a late-fifties fad associated with the Beats. And, yet, the desire of poets and jazz musicians to combine their art forms has ...
Poetry and Jazz: A Chronology
by Duncan Heining
My intention here is to offer a detailed but inevitably incomplete chronology of poetry and jazz. The focus is solely on the combination of the two art forms in performance, not on poetry about jazz or jazz musicians or poetry inspired by jazz but not performed to music. My definition of 'poetry' is fairly broad and ...
Presenting Problem
by Duncan Heining
Jazz often appears to exist within its own cultural and artistic paradigm, isolated from other arts and in its own discreet musical corner. Worse still from the perspective of those who would hope to make a living from it, it often seems that more people want to play the music than listen to it or, more ...
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