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Earl Hines
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A brilliant keyboard virtuoso, Earl “Fatha” Hines was one of the first great piano soloists in jazz, and one of the very few musicians who could hold his own with Louis Armstrong. His so-called 'trumpet' style used doubled octaves in the right hand to produce a clear melodic line that stood out over the sound of a whole band, but he also had a magnificent technical command of the entire range of the keyboard. Earl Kenneth Hines was born into a musical family in Duquesne, Pennsylvania, on December 28, 1905. His father worked as a foreman at the local coal docks and played cornet with the Eureka Brass Band, a group that performed at picnics and dances
Fletcher Henderson, Count Basie, Charlie Parker & Ella Fitzgerald
by Joe Dimino
We dedicate the entirety of the 843rd Episode of Neon Jazz to the history and culturally vital institution, Harlem's Apollo Theater. After finding an illustrated book on the history of this landmark institution in the history of African American culture, it was essential to cover the jazz side of things from the book's perspective. We begin ...
Wynton Kelly, Jason Moran, Christian McBride, Geri Allen
by David Brown
This week we will we celebrate some birthdays including the legendary pianist Wynton Kelly known for his lively, blues-based playing and as one of the finest accompanists in jazz. I'll spin some tunes I heard at Jason Moran's Village Vanguard Thanksgiving weekend run; we'll play some music to get ready for Christian McBride's New Jawn here ...
Pepper Adams: Saxophone Trailblazer
by David A. Orthmann
Pepper Adams: Saxophone Trailblazer Gary Carner 240 ISBN: #9781438494357 Excelsior Editions2023 Baritone saxophonist Pepper Adams was essential to this reviewer's formative years as a jazz enthusiast. During the 1970s, in Storrs, Connecticut, New York City, northern New Jersey, and Kansas City, Missouri, I had many opportunities to witness ...
Louis Armstrong, Count Basie, Duke Ellington & Lena Horn
by Joe Dimino
In honor of the 2022 book Dangerous Rhythms by New York Times best selling author T.J English, we constructed an hour of jazz celebrating the story of his intersection of the mob and the music. It starts in Chicago with the great King Oliver and ends in New York City with Jimmy Durante. In between, we ...
Mary Stallings: Songs Were Made to Sing
by Dave Linn
One of eleven children, Mary Stallings was born in San Francisco in 1939. In her teens, she began singing in San Francisco night clubs and performed with Ben Webster, Earl Hines, Red Mitchell, Teddy Edwards, and Wes Montgomery. Before graduating from high school, she joined R&B singer Louis Jordan's Tympani Five. In the early '60s, she ...
George Russell Remembered
by Duncan Heining
How is it that one of the most significant figures in modern jazz is so often overlooked when histories of the music are written? And how come one of its most important composers is not immediately acknowledged when jazz is discussed? Therein hang a number of tangled tales. The centenary of composer, musician, bandleader, ...
I Heart The Jazz With Strings Genre + Porgy & Bess
by David Brown
I heart the jazz with strings genre. Tonight, the most bizarre of these records, the great Johnny Hodges with Lawrence Welk's Orchestra. We then check our coats at the famed Chicago supper club Mr. Kelly's for some vocals from Sarah Vaughan and Anita O'Day. Then, after a set of new releases including Chicago's Natural Information Society ...
Ahmad Jamal: Forward Momentum
by Ian Patterson
In memory of the venerable Ahmad Jamal. This article was first published on All About Jazz on July 6, 2010. Ahmad Jamal, possibly the most influential of living jazz pianists, turned 80 years young on July 2, 2010. It is however, business as usual and instead of celebrating at home in his slippers, Jamal ...
Simona Smirnova: Cultivating Timelessness
by Matthew Vasiliauskas
Earl Hines once said, I always thought jazz was like the trunk of a tree. After the tree has grown, many branches have spread out. They're all with different leaves and they all look beautiful. But at the end of the season, they fold back up and it's still the tree trunk." For the ...