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Barney Bigard

One of the premier clarinet players in the history of jazz, Barney Bigard remains immortal. Bigard carried the influence of his birth city, New Orleans, throughout his career. He played tenor sax but later concentrated on clarinet, which he studied with Lorenzo Tio. In 1925 he was hired by King Oliver and moved to Chicago. After two years with Oliver, he joined Duke Ellington’s Orchestra where he would remain for 15 years. Bigard’s New Orleans-style clarinet added another dimension to Ellington’s palette. His individual style and articulation were universally admired. His woody sound was a highlight of “Rose Room” and “Mood Indigo,” which he co-wrote with Ellington. He was also a valued ensemble player and capable improviser.

His mellow tone, graceful finger work and smooth sustain graced countless recordings during the peak of the Swing craze, including some of his own compositions. In 1936, Helen Oakley, the wife of journalist Stanley Dance, was the A & R (artist and repertoire) manager for Irving Mills’ new Variety label. She suggested to Mills that they try some small group recordings using musicians from the Ellington Orchestra. Given the go ahead Oakley arranged for a number of sessions, including a few led by Bigard under the name Barney Bigard and His Jazzopaters. Their December 19, 1936 session introduced the jazz standard “Caravan.”

After leaving Ellington, Bigard did sound track work in California, played with Freddie Slack and Kid Ory, and then joined the Louis Armstrong All-Stars in 1947, where he found a home until 1955 when he tired of touring. In the late ‘50s he played in Cozy Cole’s big band, rejoining Armstrong in 1960 for another year. He semi-retired in 1962 but played with a Dixieland band at Disneyland.He also found time to record with Earl Hines in the late '60's. From 1970-1973 he was a featured performer at Dick Gibson’s jazz parties in Vail, Colorado.

Bigard wrote several other songs with Ellington, some performed, some not, although Oscar Brown, Jr. recorded their “Ducky Wucky.” Bigard also co-composed “Lament for Javanette” with Billy Strayhorn, performed by the Ellington band. His autobiography is entitled With Louis and The Duke.

Barney Bigard passed in 1980.

Bio by Sandra Burlingame.

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17
Extended Analysis

The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66

Read "The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66" reviewed by Skip Heller


Louis Armstrong officially returned to small band leadership May 17, 1947 via a triumphant concert at Town Hall that was less comeback than reaffirmation. It was even the dawn of his second great period, full of recordings that stood tall with his epochal 1920's output, and the subsequently-assembled Louis Armstrong and his All Stars would immediately establish themselves as a staple of the live jazz circuit as well as a powerhouse recording unit. That era--to the purposes of ...

219
Album Review

Barney Bigard & Art Hodes: Barney Bigard & Art Hodes: Bucket's Got A Hole In It

Read "Barney Bigard & Art Hodes: Bucket's Got A Hole In It" reviewed by Mike Neely


Barney Bigard is one of the outstanding jazz clarinetists of the twentieth century. His bluesy, sensual tone and extraordinary agility graced the albums of the King Oliver, and Jelly Roll Morton before he became Duke Ellington’s regular clarinetist from 1927 to 1942. To top off this incredible career, after the second world war he became Louis Armstrong’s clarinetist from 1947 to 1956. Few musician’s could point to as illustrious a line of employers.

Bigard was in demand partially because of ...

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Music

Recordings: As Leader | As Sideperson

The Complete Louis...

Mosaic Records
2021

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Barney's Bounce

ASV Living Era
2004

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Barney Bigard & Art...

Delmark Records
2000

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Paris - 14 & 15...

Concord Music Group
1990

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From Rag To Swing...

Concord Music Group
1975

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That Old Feeling

Concord Music Group
0

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