Christy Doran: New Bag, New Tricks
“ I don't think art should have borders or containment...there's still a lot to be discovered, explored and evolved. ”
With drummer/percussionist Fredy Studer, saxophonist/flautist Urs Leimgruber and double bassist Bobby Burri, Doran created Swiss free-jazz history in the band OM, recording five albums, four of which were on the Japo/ECM label, in a 10-year period from 1972-1982. He has also taught jazz guitar in the Lucerne Music School, in Switzerland, for over 40 years, though this hasn't stopped him from pursuing a busy recording and touring schedule with a diverse range of musicians. In a long and varied career, Doran has collaborated with free-jazz luminaries such as pianist Carla Bley, drummers Marilyn Mazur and Han Bennink, trombonist Albert Mangelsdorff, bassist Jamaaladeen Tacuma and multi-instrumentalist Marty Ehrlich.
Doran has put his own musical stamp on everything from the music of Jimi Hendrix to the writings of Samuel Beckett, and from jazz-rock to Chinese folk music. At 63, he could be forgiven for taking his foot off the pedal, but this most exciting of jazz electric guitarists is, by his reckoning, probably busier now than he's ever been and has more collaborations on the go than you could shake a stick at.
Doran has just released Mesmerized (Double Moon, 2013), his eighth CD with New Bag a typically firey jazz-rock effort. Then there's No. 9 (Leo Records, 2012), the quietly sublime duo collaboration with Chinese pipa player Yang Jing. With the debut CD of Doran's quartet Bunter Hund due out in January 2014, Doran is enjoying a creatively prolific period.
And, as the Bray Jazz Festival audience attested most audibly, he's also in absolutely cracking form. Doran clearly enjoyed playing in the old country. "It just feels great to be back," he says, and you know he means it; Doran wrote a tune called "Bray Head" on his album Harsh Romantics (Synton Records, 1984) and has clearly always carried a piece of this part of Ireland in his heart.
Doran's formative childhood years in Ireland were spent absorbing the music that was around him. "My father was a well-known ballad singer in county Wicklow, and my Swiss mother played the accordion," says Doran. "They used to play every Saturday night at St. Kilians Hall in Greystones. When my father wasn't singing, he'd play the drums. They used to rehearse in my bedroom, so I got a good dose of Irish songs and jigs right from the start." With the timing of a good storyteller, Doran adds, "Well, if I'd known then that I'd be playing the Bray Jazz Festival, I bloody well could have stayed in Ireland."
New Bag is Doran's longest ongoing project and clearly one that he has strong personal attachment to. Doran founded New Bag in 1997 with singer Bruno Amstad, drummer Fabian Kuratli and electric bassist Wolfgang Zwaiauer. On the tail of its debut CD, Confusing the Spirits (Cue Records, 1999), the quartet toured North and South America, India, Vietnam and Europe. Already by the time of the second CD, Black Box (Double Moon Records, 2000), Doran's interest in Asian music was more overt, with the collaboration of Indian mridangam master Muthuswamy Balasubramoniam.
Doran had taken a six-month sabbatical from the university in Lucerne and traveled to India, where he stayed in Balasubramoniam's home town of Cochin in Southern India. With typical modesty, Doran refutes the notion that he is a student of Indian music. "I haven't learned Indian music," he says. "I think this would be a lifetime enterprise." Nevertheless, the Indian influence is felt in New Bag's music today, especially with the recent addition of konnakol-trained Swiss vocalist Sarah Buechi to New Bag's ranks. "I've loved Indian music for a long time," says Doran. "I love the groove, the spirit and the time the musicians take to climb from zero to the climax."
New Bag became a quintet when Doran brought keyboard player Hans- Peter Pfammatter into the lineup, and two more CDs followed. Unfortunately, the band suffered a major upheaval when Kuratli took ill and died, at the age of 38. "It was a tragedy," says Doran. "It took some time before we were able to continue with another drummer."