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Albert Ayler
Born:
Tenor saxophonist Albert Ayler was born on July 13th 1936 in Cleveland Heights, Ohio. He learned to play the alto sax at a young age. His father, Edward, encouraged his musical interests and was his first teacher. Albert Ayler continued his musical education at John Adams High School, where he played oboe, and at the local music academy. His first gig was with Lloyd Pearson and his Counts of Rhythm when has was 15 in 1951. This led to a job with Little Walter Jacobs’ R&B band with whom he spent the following two summer vacations traveling. After graduating from high school in 1954 he went to a local college but financial difficulties forced him to leave college in 1956 and join the army
Marion Brown: Three For Shepp To Gesprachsfetzen Revisited
by Chris May
"It is often those we hear the least that we should listen to the most." So wrote the Guadeloupean pianist Jonathan Jurion on the release of his album Le Temps Fou: The Music Of Marion Brown (Komos, 2019). Just why Marion Brown has become such a rarely acknowledged figure is unclear. He possessed ...
Louie Belogenis: Outer, Inner, Secret
by Mark Corroto
Let's not call the music by the trio Terton dangerous. Because, although no one could be injured while creating it or listening to Outer, Inner, Secret, the path is precarious and unpredictable. Well, that is, if one is not a true believer. Let me explain. Terton in Buddhism refers to a person, in this case, persons, ...
Jan Garbarek, Keith Jarrett and Azimuth light up ECM Luminessence reissues
by Chris May
The spring 2024 iteration of ECM's audiophile vinyl reissue series, Luminessence, presents another trio of landmark albums: Jan Garbarek Quartet's Afric Pepperbird, from 1971, Keith Jarrett and Garbarek's Luminessence, from 1975, and Azimuth's Azimuth, from 1977. The combined scope of the music on the three discs (which come with new liner notes) is prairie wide, and ...
Friends & Neighbors: Circles
by Mark Corroto
Let's talk about Bird. Bird, not as in the sobriquet given to Charlie Parker but the actions of a bird, such as a parrot. Many a musician mechanically repeats the music of their musical heroes. For example, after Parker, we hear Phil Woods and Sonny Stitt recycling bebop. The Miles Davis' quintet of the 1960s begat ...
James Brandon Lewis: Jazz, Spirituality, and the Art and Science of Musical Abstraction
by Dave Kaufman
The contemporary jazz world is currently witnessing an artistic renaissance, characterized by an upsurge in creativity and innovation. This movement is fueled in part by rising stars such as Joel Ross, Immanuel Wilkins, and Isaiah Collier, as well as seasoned veterans like Charles Lloyd, David Murray, William Parker, Joe Lovano, and Bill Frisell, whose creative passion ...
The Jazz Detective Strikes Again
by Mark Corroto
Producer Zev Feldman, like Joe DiMaggio, has done it again. In May of 1941, DiMaggio began a major league baseball hitting streak. People followed his exploits game after game and hit after hit. DiMaggio's amazing record of 56 consecutive games still stands to this day. Same can be said of Feldman. His detective work, finding rare ...
Bobby Selvaggio 11: Stories, dreams, inspirations: for my boy
by Mark Corroto
There is something special about the people of Northeastern Ohio. They take great pride in what is called “The Land." Cleveland sports fans may be the most loyal, whether they turn out for baseball's opening day in a snowstorm or cheer for an imagined Super Bowl game which has yet to materialize. They even root for ...
Francois Carrier Ensemble featuring Mat Maneri /Tomasz Stańko / Gary Peacock / Michel Lambert: Openness
by Mark Corroto
Openness waited nearly two decades on a shelf (ok, probably on a hard drive) before being released for our listening pleasure. Recorded on May 5 & 6, 2006 at the Théâtre La Chapelle in Montréal, Canada, these three precious discs document a meeting between Canadian saxophonist François Carrier and Polish trumpeter Tomasz Stańko. It is the ...
The Time Is Now!
by Joshua Weiner
The early '70s were difficult times in the United States, not least for the jazz community. The optimism of the flower-power and peace movements had given way to political radicalism, conflict and paranoia, and the excitement of the initial free jazz and jazz-fusion eras had begun to wane. John Coltrane and Albert Ayler were dead. Miles ...
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