Nik Turner: Bringing the Music to the People
I then got a trumpet player in the band who had been trained at the Royal College of Music. His name was Rick Walsh. We were then playing a lot of his repertoire. He'd worked on the ships, he'd worked on the cruise liners. He'd played with all of these Las Vegas jazz artists like Lena Horneand Sarah Vaughan. He was a really good trumpet player. He died recently from cancer, unfortunately. He taught me a lot. We worked on a lot of stuff. We played all sorts of duets and harmony stuff. I could develop with him.
That band then developed into the band I'm currently working with which is the Nik Turner Band, where we play a lot of sort of Maceo Parker, The Meters, a lot of different stuff, really. We play a lot of the jazz repertoire, "Sidewinder," Miles Davis's "So What," quite a lot of other stuff, some original material as well, sort of funk, just a lot of fun, good time music, and we play parties. We have a wide repertoire of material.
I also play in another band currently of all ex-members of Hawkwind, this band called Space Ritual, and we're playing a lot of new material most of which I wrote. I'm also playing in the Inner City Unit band. I'm still playing with that band and it's still playing quite a wide repertoire of interesting satirical high energy upbeat rock and roll background music.
I did an album with Barney Bubbles called Imperial Pompadours at one point, which was a lot of really wacky rock and roll and I've gotten a lot of that into my repertoire, like "There's A Fungus Among Us," or "See You Soon, Baboon," and "Little Black Egg," and a lot of rather obscure rock and roll stuff, all of it just good time, good fun music, really. So, I'm doing quite a lot of gigs.
I did a gig the other day which I actually organized the whole thing. It was in London. It was a memorial benefit concert for Barney Bubbles featuring, actually, myself playing in three of the bands. I played in this other band which I've got together called the Hawklords which was a spinoff from Hawkwind that had been going in the sort of '80s very briefly. I played in that band, I played in my band Inner City Unit, and I played in the Imperial Pompadours. It was actually very successful and very exciting, and very interesting. I'm doing gigs currently with all of those bands as well as the Nik Turner Band playing sort of funky, sort of jumpy rock and roll and jazz, Latin jazz [laughs].
As well as these things, I go busking sometimes on the street playing anything people want to hear. I go sort of regularly to the Brecon Jazz Festival and go busking there, although sometimes I have played there with my band. That's a festival in West Wales. I was there in the summer playing anything people wanted to hear. You know, people would throw numbers at me, "Oh, play 'The A-Train,'" or "Play 'Little Sunflower,'" or "Take Five [laughs]."
So that's sort of been a bit of a parted history of my musical experiences.
AAJ: Do you think you are going to continue to record and perform new music?
NT: Yeah, I think so. That's what I do, you know. I like it. I get off on it. I find it's a privilege and a pleasure, and I find a great deal of satisfaction in touching people musically and turning people on and raising their spirits and trying to raise their consciousness and making people have a good time and helping them to have a good time and having a good time myself. It's what I do [laughter]. I'm working on some recordings at the moment with two or three of the bands I'm in.
AAJ: Do you think you have stayed close to your roots?
NT: I think so, yeah. I play music from the heart, really. I play music I enjoy and every gig is the best gig I have ever done. I'm not a superficial person. I just enjoy playing and I find it is a privilege to actually play to people that enjoy what I am doing. It's a gift. I think it's a wonderful thing.
AAJ: What kinds of things do you do to stay creative?
Nik Turner Onstage with Spaceseed
NT: I find the most creative things are the jazz-funk sort of things, really. With the other bands, one tends to play in guitar keys rather a lot, and I find it is difficult to play in guitar keys. The configuration of the fingering is actually quite difficult. I'm playing in F sharp or I'm playing in C sharp or I'm playing in B. You know, those keys are not really that easy to play. I prefer to play in F and E flat, B flat, D flat, and I play in those keys in the sort of funky Latin jazz medium. I'm sure they are much more interesting keys to play in because you have more freedom and you can express yourself.