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Musician

Art Blakey

Born:

Born in 1919, Art Blakey began his musical career, as did many jazz musicians, in the church. The foster son of a devout Seventh Day Adventist Family, Art learned the piano as he learned the Bible, mastering both at an early age. But as Art himself told it so many times, his career on the piano ended at the wrong end of a pistol when the owner of the Democratic Club—the Pittsburgh nightclub where he was gigging—ordered him off the piano and onto the drums. Art, then in his early teens and a budding pianist, was usurped by an equally young, Erroll Garner who, as it turned out, was as skilled at the piano as Blakey later was at the drums

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Article: Interview

Albert "Tootie" Heath: Class Personified

Read "Albert "Tootie" Heath: Class Personified" reviewed by R.J. DeLuke


This article was first published on All About Jazz on March 9, 2015. Albert “Tootie" Heath is among the drummers who lived--and thrived--during what many call the golden age of jazz, the '40s, '50, early '60s. He's enjoyed the fruits of a varied and historic career, but never stayed put. Just kept working. He ...

13

Article: Journey into Jazz

Record Store Day 2024 Jazz Releases

Read "Record Store Day 2024 Jazz Releases" reviewed by Kyle Simpler


Every year, Record Store Day (RSD) promises limited edition vinyl releases for all tastes in music. From the latest popular artists to the most obscure archival releases, RSD drops try to cover a lot of musical territory. Practically all genres of music are represented and, of course, jazz is no exception. Fortunately, the April 2024 drop ...

4

Article: Album Review

The Jazz Defenders: Memory In Motion

Read "Memory In Motion" reviewed by Chris May


If there is one quality of first generation NYC hard bop which no twenty-first century band has succeeded in capturing it is the snarling half-valve badness which coursed through Lee Morgan's music. The absence is not surprising, for Morgan's vibe was a real-time product of the demi-monde in which he moved and that world is gone ...

15

Article: Multiple Reviews

OJC's Big Guns: Art Blakey, Cannonball Adderley, and Ron Carter

Read "OJC's Big Guns: Art Blakey, Cannonball Adderley, and Ron Carter" reviewed by C. Andrew Hovan


Although they were somewhat late to the vinyl renaissance game, Craft Records has made up for lost time by tapping a wide range of music. From the Latin strains of Fania Records to the so-called acid jazz that B3 organ masters churned out for Prestige Records in the late '60s, Craft boasts a huge vault that ...

16

Article: Album Review

Ulysses Owens, Jr. and Generation Y: A New Beat

Read "A New Beat" reviewed by Jack Bowers


The rhythms presented on award-winning drummer Ulysses Owens Jr.'s latest album are not exactly A New Beat, as they have been heard in various configurations for at least eighty years or more, but they do provide a plausible indication of the path that Art Blakey's legendary Jazz Messengers would presumably have followed had Blakey lived into ...

2

Article: Interview

Meet Bobby Watson

Read "Meet Bobby Watson" reviewed by Craig Jolley


This article was first published at All About Jazz in October 1999. Background and early career... I started playing clarinet and piano in my grandfather's church. I played saxophone in junior high school: originally tenor and switched to alto when I got to high school. From there I got hip to jazz and tried ...

5

Article: Interview

Meet Brian Lynch

Read "Meet Brian Lynch" reviewed by C. Andrew Hovan


This article was first published at All About Jazz in March 2000.Though many of his peers have received far more attention from the public and press, the fact is that Brian Lynch is one of the most experienced and talented jazz trumpeters of his generation. Growing up in the Milwaukee area, Lynch took advantage ...

12

Article: Reassessing

Sahib Shihab and the Danish Radio Jazz Group

Read "Sahib Shihab and the Danish Radio Jazz Group" reviewed by Joshua Weiner


Many jazz fans will know saxophonist and flautist Sahib Shihab primarily for his stint in the 1940s with Thelonious Monk, and his playing captured on Monk's Genius of Modern Music Blue Note sets. Keen-eyed perusers of liner notes, however, will know him as an able sideman on classic albums by John Coltrane, Quincy Jones, Art Blakey, ...

3

Article: Live Review

Ken Vandermark’s Edition Redux at BOP STOP at The Music Settlement

Read "Ken Vandermark’s Edition Redux at BOP STOP at The Music Settlement" reviewed by John Chacona


Ken Vandermark's Edition Redux BOP STOP at The Music Settlement Cleveland, OH February 27, 2024 Every jazz concert brings an experience that you've never had before and likely weren't expecting. In the case of the jny: Cleveland concert by protean saxophonist Ken Vandermark's Edition Redux, the source was a new Apple ...


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