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Wide Open Jazz and Beyond

A Question of Time

By Published: September 8, 2009
Imagine you were given the chance to go back in time and witness four musical events (one each from jazz, blues, classical, and rock history.) What would they be? That's an after-dinner topic friends might discuss by candlelight. If your inner-child has completely matured, perhaps you could approach it as a potential film: if you were given a massive budget to authentically recreate four musical events, what would they be?

This idea has intrigued me for a while, so when I interviewed Derek Trucks Band
Derek Trucks Band
Derek Trucks Band
b.1979
guitar
earlier this year I thought it would be interesting to hear his choices. Clearly, he had thought along these lines himself, and his real difficulty was in limiting himself to four choices. In any case, his answers proved to be revealing and insightful, so I decided to pose the same question to a few other prominent people from my favorite musical genres.

Chapter Index

  1. Rhoda Scott
  2. Pete Fallico
  3. Randall Bramblett
  4. My Picks


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Rhoda Scott

Rhoda Scott

Rhoda Scott
Rhoda Scott
b.1938
organ, Hammond B3
is a living legend of organ jazz, whom Arthur Rubinstein called, "a great, very great virtuoso." She is a member of that very small group of jazz players who have truly mastered the pedal bass, earning the nickname, "The Barefoot Lady."



The daughter of a minister, she began playing organ in church and working with gospel choirs, which eventually led to performing with a small jazz band. She studied classical piano, but continued to concentrate on the organ, earning a Masters' degree in music theory from the Manhattan School of Music. Jazz, gospel, and classical music all come together in her approach to music, so she immediately came to mind when planning this piece.

Her pick for jazz is the April 2,1955 benefit concert for Carlie Parker at Carnegie Hall organized by Dizzy Gillespie and friends to pay for Bird's funeral expenses. It began at midnight and went on until 3:40 am when the police shut it down. This caused an uproar because many musicians had not yet played. Nonetheless, those 2760 jazz fans who got into the sold out concert saw: Dizzy Gillespie
Dizzy Gillespie
Dizzy Gillespie
1917 - 1993
trumpet
, Art Blakey
Art Blakey
Art Blakey
1919 - 1990
drums
, Thelonious Monk
Thelonious Monk
Thelonious Monk
1917 - 1982
piano
, Billie Holiday
Billie Holiday
Billie Holiday
1915 - 1959
vocalist
, Sarah Vaughan
Sarah Vaughan
Sarah Vaughan
1924 - 1990
vocalist
, Dinah Washington
Dinah Washington
Dinah Washington
1924 - 1963
vocalist
, Billy Eckstine
Billy Eckstine
Billy Eckstine
1914 - 1993
vocalist
, Sammy Davis Jr.
Sammy Davis Jr.
Sammy Davis Jr.
1925 - 1990
vocalist
, Stan Getz
Stan Getz
Stan Getz
1927 - 1991
sax, tenor
, Oscar Pettiford
Oscar Pettiford
Oscar Pettiford
1922 - 1960
bass
, Lester Young
Lester Young
Lester Young
1909 - 1959
saxophone
, and Horace Silver
Horace Silver
Horace Silver
b.1928
piano
.

For her blues pick she didn't specify a particular artist, but simply opted for Chicago blues in the 1940's. No doubt she would have been treated to quite a show no matter what club she picked. Back then she might have caught Big Bill Broonzy performing his "Key to the Highway" with a young Muddy Waters
Muddy Waters
Muddy Waters
1915 - 1983
guitar
on guitar, or she might have heard harp players like Little Walter, Sonny Boy Williamson, and Snooky Pryor, or pianists Champion Jack Dupree and Little Brother Montgomery, or bottleneck slide guitarist Tampa Red playing his hit "Let Me Play With Your Poodle."

As an organist, her classical pick of Johann Sebastian Bach is not surprising. He was also on my own short list. I would have probably picked the 20 year old Johann who walked off the job and literally continued walking some 250 miles to Lobeck to hang out with Dieterich Buxtehude, the Big Daddy of German organ. Young Johann stayed on for several months, and as the story goes, would have become Buxtehude's amanuensis, except that the position would have also required him to marry the boss's daughter.

Rhoda opted for his years (1723-50) as Cantor of the Thomas School adjacent to the Thomas Church. This too would have been an ideal time as Bach was then the Big Kahuna of the musical scene in Leibzig. By this time he had composed a vast amount of music, and was performing large scale cantatas. She would be able to see him on organ and harpsichord, directing singers and musicians—that would be a thrill indeed.

Rhoda's rock selection is fitting as it comes on the 40th anniversary of the Woodstock Festival. A great pick, not only an event with historic and cultural significance, but she would see a literal who's-who of sixties rock: Jimi Hendrix
Jimi Hendrix
Jimi Hendrix
1942 - 1970
guitar, electric
, Paul Butterfield
Paul Butterfield
Paul Butterfield
1942 - 1987
harmonica
Blues Band, the Who, Jefferson Airplane, Ten Years After, Crosby, Stills, Nash and Young, Johnny Winter, Blood Sweat and Tears, the Band, Joe Cocker, Sly and the Family Stone, Janis Joplin, Creedence Clearwater, Grateful Dead, Mountain, Ravi Shankar
Ravi Shankar
Ravi Shankar
1920 - 2012
sitar
, Ritchie Havens, and also witness the emergence of Santana onto the world stage.

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Pete Fallico

For those of us who love the Hammond B3 sound, Pete Fallico is simply, "The Ultimate Hammond Organ Afficianado." He is also a well-known radio personality, concert promoter, record producer, and friend to scores of the most respected names in organ jazz. His Doodlin' Lounge website and podcast are two of the best spots on the web for B3 fans.

Pete Fallico, Tony Monaco, Lonnie Smith, Joey DeFrancesco Pete Fallico, Tony Monaco, Lonnie Smith, Joey DeFrancesco

Pete's jazz pick: "A jazz event that I would have loved to have attended would be the opening night for Jimmy Smith

Jimmy Smith
Jimmy Smith
1925 - 2005
organ, Hammond B3
at Spider Kelley's club in Philadelphia. This was when he first came out from his wood-shedding in a warehouse where he and his father worked as plasterers. Some of the most prestigious jazz players were there to witness the birth of modern-day jazz organ. I wish I could have seen and heard that!"

Another interesting pick: "For a Blues event I would like to have been at the 1960 Newport Jazz Festival in Rhode Island when Muddy Waters performed. It was recorded and released as his first live album. This was like a resurrection of his career."

His classical pick is especially intriguing: "For a classical music event I would think that any of the NBC Symphony Orchestra's broadcasts conducted by Arturo Toscanini would have been momentous. I would like to have been there for the 1942 broadcast of Dimitri Shostakovich's Symphony No. 7."

Toscanini was of course one of the most respected classical musicians and conductors of the 19th and 20th centuries, and this was the American premiere of this symphony. Because of WWII the score had to be mircofilmed and brought to America via courier from the Soviet Union.

For his rock pick Pete chose the summer of love: "The Monterey International Pop Music Festival held at the Monterey County Fair Grounds between June 16 and June 18, 1967 helped to usher in the so-called 'Summer of Love' era. That would be the event that I wish I had attended. Even though I live just 60 miles away from Monterey, I did not go that weekend and I have regretted it ever since."

This was America's first large scale rock festival and was also the first major appearance in the United States of several of its headliners: Jimi Hendrix, the Who, Janis Joplin, and Otis Redding. When one checks out the list of performers it certainly revivals Woodstock: the Animals, Simon & Garfunkel, Canned Heat, Al Kooper, Paul Butterfield, the Electric Flag with Mike Bloomfield, Steve Miller, Moby Grape, the Byrds, Jefferson Airplane, Booker T and the M.G.'s, Buffalo Springfield, Grateful Dead, the Mamas and Papas and more.


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