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Paul Colombo: Rio Crystal
by Chris M. Slawecki
Rio Crystal is the perfect title for this bright and clear, warm and sunny set led by guitarist Paul Colombo. Its frontline pairs Colombo's nimble guitar with keyboardist Ron Thomas, supported by bassist Andy Alonso and drummer Chris Loser, in a series of jazzy instrumental workouts. It's uncomplicated swing, and the emotional directness and honesty with which the principals play, turn Rio Crystal from jazz fusion into genuine (instrumental) soul music. The title track was the first tune ...
read morePaul Colombo Group: Rio Crystal
by Dan McClenaghan
Paul Colombo's debut, Rio Crystal, comes about because his fellow guitarist, Pat Martino, released an album called Pat Martino/Live! (Muse Records, 1972). When Colombo heard Martino's sound, the then fifteen year old aspiring musician's path to jazz artistry came into focus. The keyboardist on Martino's 1972 LP was Ron Thomas, who played Fender Rhodes on Pat Martino/Live! He went on to become an adventurous and artistically successful--if somewhat underrecognized--jazz (and beyond) player in his own right, with the ...
read moreShining A Light On Pianist Ron Thomas
by Dan McClenaghan
Pianist / composer Ron Thomas (b. 1942), was introduced to the piano by his father, Buddy, a self-taught player who learned the art of the ivories by analyzing piano roll performances. Ron was, according to his biography, three or four years old at the time. Those early lessons took root, and then along came Marilyn Monroe. In 1957, Thomas had the good fortune to see The Seven Year Itch, a film that featured Monroe, and a soundtrack that included Sergei ...
read moreScenes From A Voyage To Arcturus
by Dan McClenaghan
Scottish writer David Lindsay published his A Voyage To Arcturus in 1920. It is said to have influenced everyone from C.S. Lewis in the writing of his Space Trilogy to J.R.R. Tolkien to Clive Barker. The story concerns a character Muskull and his fantastical journey across the planet Tormance that orbits the star Arcturus. And while the external landscapes encountered are surreal, so too are Muskill's inner landscapes, and the music. “Lindsay's fantasy eludes analysis," pianist/composer Ron Thomas ...
read moreJohn Vanore: Primary Colors
by Jerome Wilson
These recordings come from the mid-80s, a time when mixing jazz and electronics was still a fairly radical idea. They have trumpeter John Vanore marrying his solo lines to electronic embellishments performed by pianist Ron Thomas on a Yamaha DX-7 synthesizer and other keyboards. Nothing here is startling by modern standards, but there are still some interesting sounds and experiments present. The electronic effects mix in lightly on several tracks. “Yesterdays" and “A Time for Love" are basically ...
read moreJohn Vanore: Primary Colors
by Dan McClenaghan
This beautiful duet set recorded by trumpeter John Vanore and pianist Ron Thomas serves as a showcase for auspicious beginnings, for both artists. The music for Primary Colors was recorded in 1984-85. Both of the players evolved into higher profiles, finding their individual places in jazz in the twenty-first century--Vanore with, mostly, his large ensemble writing, influenced by saxophonist/orchestrator Oliver Nelson on albums like Stolen Moments: Celebrating Oliver Nelson (Acoustical Concepts, 2017) and Contagious Words (Acoustical Concepts, 2011). For his ...
read moreRon Thomas / Paul Klinefelter: Duo
by Budd Kopman
One of the wonderful things about jazz is that it can be appreciated from more than one angle, oftentimes simultaneously: pure entertainment, art as entertainment, art as beauty and art as intellect among others. Some of this, of course, relates to music in general, but jazz as a genre has moved beyond any stylistic boundaries to the point where no one can claim any particular sub-genre to represent “jazz." This push-pull aspect of jazz allows a player to ...
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