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Jazz Articles about Ron Mathewson
About Ron Mathewson
Instrument: Bass, acoustic
Related Articles | Concerts | Albums | Photos | Similar ToTubby Hayes: No Blues: The Complete Hopbine '65
by Chris May
"Who the fuck are you?" said Tubby Hayes, encountering Ron Mathewson on the bandstand of London's Hopbine club an hour or so before the start of the gig which this album chronicles. I'm the bassist," said just turned twenty-one year old Mathewson, who had been booked to deputise for the Hopbine's regular bassist that night. Well, we'll see about that, won't we?" said Hayes. So began a relationship in which Mathewson ...
read moreTubby Hayes Quartet: The Complete Hopbine '69
by Chris May
Of all the many talented jazz musicians who blazed trails in Britain in the late 1950s and 1960s, tenor saxophonist Tubby Hayes in 2022 stands among the tallest. Hayes, too, is one of a handful of British musicians of his generation who have been practically deified by some of the emergent young players who are currently invigorating the British scene. Hayes died tragically young, aged thirty-eight, in 1973, from heart disease exacerbated by heroin use. So his ...
read moreJoe Harriott: Chronology: Live 1968 - 69
by Chris May
One of not-for-profit archive label Jazz In Britain's first releases in early 2020--then only on vinyl, but in summer 2021 reissued on CDthe Jamaican-born alto saxophonist and composer Joe Harriott's Chronology Live 196869 is also of interest for the spotlight it throws on another player who moved from his homeland to London in the 1950s, the Canadian-born trumpeter and flugelhornist Kenny Wheeler. The duo are found on all seven tracks, the first five of them quintet recordings from 1968, the ...
read moreTubby Hayes: Free Flight
by Chris May
Tenor saxophonist, flautist, vibraphonist and composer Tubby Hayes, who died at the unconscionably young age of thirty-eight in 1973, was that rare thing among the first generation of British jazz musicians in the 1960sa player who was taken seriously by the hippest American musicians and audiences. He visited New York in 1961 and 1964 for well-received seasons at the Half Note, and went to Los Angeles in 1965 for a run at Shelley's Manne-Hole. An uplifting player, a gifted composer ...
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